diff --git a/docs/prompting/capstone.mdx b/docs/prompting/capstone.mdx
index 9c11d86156..9fe78b2045 100644
--- a/docs/prompting/capstone.mdx
+++ b/docs/prompting/capstone.mdx
@@ -63,7 +63,7 @@ This is the full prompt, nothing paraphrased or trimmed. Two of its clauses —
 >
 > **Rhythm (45–52s).** The wire becomes a waveform: **resolve the BGM first, run `hyperframes beats` on it, and drive this region on the detected grid** — the waveform pulses and compact media cards (a lyric line, a photo card, a chart flash) snap onto the wire on real analyzed beats while the camera keeps traveling; each snap gets a tick SFX. At least six beat-hits. SANCTIONED SEAM #2: the beat-hits may hard-cut card content ON the beat — the sanctioned exception, because the camera itself never stops moving through them.
 >
-> **Depth (52–56s).** The wire spirals off the flat plane into real 3D — a **Three.js scene via the frame adapter** (never CSS fake-3D): the camera descends following the wire as it coils around a rim-lit faceted form (ink material on charcoal), mono axis readouts landing on cue, then rises back to the plane with the wire leading the way out.
+> **Depth (52–56s).** The wire spirals off the flat plane into real 3D — a **Three.js scene via the frame adapter** (never CSS fake-3D): the camera descends following the wire as it coils around a rim-lit faceted form (ink material on charcoal), mono axis readouts landing on cue, then rises back to the plane with the wire leading the way out. The coil winds up out of the wire and collapses back onto it — its ends never float cut off in mid-air — and the protagonist chip joins the 3D scene for the crossing: it rides the wire straight through the coil's loops and passes behind the form with true depth occlusion, never floating over the geometry as a flat overlay.
 >
 > **Render (56–60s).** The wire's end plugs into a render chip; the protagonist clip card from the opening arrives (callback — same chip, having traveled the whole film) and snaps into it. A **seeded confetti burst** fires — mulberry32, **seed 42, each piece holding position for exactly two frames before stepping** (stop-motion feel) — and the VO lands the honest punchline: identical on every render, because determinism is the whole point. "WRITE HTML. RENDER VIDEO." locks up with the install line `npx skills add heygen-com/hyperframes`. The camera finally eases to rest — the film's only true stillness, one breath before the end.
 >
@@ -78,7 +78,6 @@ This is the full prompt, nothing paraphrased or trimmed. Two of its clauses —
 > **Voice & music:** confident, energetic female narration — Kokoro `af_sky`, passed explicitly via `--voice` — riding the journey's momentum (the VO never waits for the camera; the camera arrives on the VO). Driving, beat-forward electronic BGM from the catalog at the engine's default narration-bed volume; the same track feeds the Rhythm region's beat analysis.
 >
 > **Negatives:** no hard cuts outside the two sanctioned seams; no static regions; no shaking or idle-in-place motion passed off as energy; no hue beyond mint (cyan only inside the one CTA gradient) — and per the brand file, no purple-blue SaaS gradients ever; no stock footage or photography; no fictional stats, projects, or testimonials — every number and label must be true of HyperFrames today; no real OS/browser chrome; no unseeded randomness; none of the film is silent.
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 ## Walking the prompt, chapter by chapter
 
 Every region pins a different technique, and every technique has a chapter: