Raise default encoding quality to visually lossless at 1080p (CRF 18)
and expose fine-grained encoding controls for power users.
Co-authored-by: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
## Summary
- Adds `--format mov` to the render CLI for ProRes 4444 transparent video output
- ProRes 4444 with alpha is the industry standard for transparent video overlays, supported by CapCut, Final Cut, Premiere, DaVinci, and After Effects
- WebM VP9 alpha technically works but is ignored by all major video editors — only browsers decode it
- Adds MOV to the studio export dropdown alongside MP4 and WebM
## Transparency format comparison
| Format | Codec | Alpha | Video editors | Browsers | File size |
| --- | --- | --- | --- | --- | --- |
| **MOV** | ProRes 4444 | Yes | CapCut, Final Cut, Premiere, DaVinci, After Effects | No (won't play in browser) | Large (~5-40 MB) |
| **WebM** | VP9 | Yes | None (shows black) | Chrome, Firefox | Small (~200 KB) |
| **MP4** | H.264 | No | All | All | Small |
> **Note:** ProRes MOV files do not play in Chromium browsers — they are an intermediate/editing format, not a delivery format. Use [rotato.app/tools/transparent-video](https://rotato.app/tools/transparent-video) to verify transparency works correctly.
## Changes
- **CLI**: Add `mov` to `--format` validation, examples, and output path logic
- **Engine**: `getEncoderPreset()` returns ProRes 4444 (`yuva444p10le`) for `mov` format; handle `.mov` in `applyFaststart` and `muxVideoWithAudio`; add `pix_fmt` to streaming encoder ProRes path
- **Producer**: Treat `mov` like `webm` for alpha capture (PNG frames, screenshot mode, `forceScreenshot`)
- **Studio**: Add MOV option to export format dropdown and render queue hook
- **Core**: Add `mov` to studio API types, render route, and mime helpers
- **Tests**: Add encoder preset tests for mov format (42 total, all passing)
## Usage
```bash
hyperframes render --format mov --output overlay.mov
```
## Test plan
- [x] `pnpm build` passes
- [x] `pnpm --filter @hyperframes/engine test` — 42 tests pass (2 new for MOV)
- [x] `oxlint` and `oxfmt` clean on all 12 changed files
- [x] End-to-end local render produces ProRes 4444 (`yuva444p12le`) with working alpha
- [x] Docker render with `--format mov` — ProRes 4444 confirmed via ffprobe
- [x] Studio dropdown shows MOV option in built JS
- [x] Transparency verified with [rotato.app/tools/transparent-video](https://rotato.app/tools/transparent-video)
## Description
Adds proper BT.709 color space metadata and full→limited range conversion to H.264/H.265 encoding. Chrome captures frames in full-range sRGB (BT.709 primaries), but without explicit color tagging, players guess the wrong color space and range — causing color shifts across iOS/Android/desktop and crushed dark values that compound the gradient banding issue fixed in #222.
**What changed:**
| Setting | Before | After |
|---------|--------|-------|
| `color_space` | `bt470bg` (guessed) | `bt709` (explicit) |
| `color_primaries` | `unknown` | `bt709` |
| `color_transfer` | `unknown` | `bt709` |
| `color_range` | `pc` (full, wrong for H.264) | `tv` (limited, correct) |
| `time_base` | `1/15360` (varies by platform) | `1/90000` (fixed) |
**Approach:**
- BT.709 VUI params embedded via x264-params/x265-params (`colorprim=bt709:transfer=bt709:colormatrix=bt709`) — ensures the bitstream itself carries color info
- FFmpeg-level metadata flags (`-colorspace:v bt709`, etc.) — belt-and-suspenders
- `scale=in_range=pc:out_range=tv` filter converts Chrome's full-range output to TV/limited range
- VAAPI path chains the range filter with existing `format=nv12,hwupload`
- `-video_track_timescale 90000` for consistent cross-platform A/V timing (same as Remotion)
- VP9 and ProRes encoding unaffected
## Testing
- Verified via ffprobe: all 5 color metadata fields now correct
- Directly tested FFmpeg args produce expected output
- 40 engine tests pass (8 new: color metadata h264/h265, range filter CPU, VAAPI filter chain, GPU skip, VP9 skip, timescale)
- Builds cleanly, lint + format pass
Add aq-mode=3 (auto-variance adaptive quantization) to CPU H.264/H.265
encoding. This redistributes bits from bright/textured areas to dark flat
areas where color banding is most visible in 8-bit yuv420p output.
- standard/high presets: aq-mode=3 + aq-strength=0.8 + deblock=1,1
- draft (ultrafast): aq-mode=3 only (deblock too slow for ultrafast)
- GPU and VP9 encoders unaffected (have their own AQ implementations)
Adds 6 regression tests verifying the params are emitted correctly.
Fixes color banding on dark gradients (eval issue #3, prompts 3,5,10,14).
Co-authored-by: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
- Use static import for copyFileSync (was unnecessary dynamic import)
- Shallow-copy config before mutating forceScreenshot (prevents
caller-provided config from being permanently modified)
- Consolidate isWebm/isWebmRender/outputFormat into single early
declaration in renderOrchestrator
- Fix debug output extension for WebM (was hardcoded .mp4)
- Log unexpected audio extraction errors instead of silently swallowing
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
Support rendering compositions with transparent backgrounds via
`--format webm`. VP9+alpha is the standard format for overlayable
video (captions, lower thirds, overlays).
Changes by layer:
- CLI: `--format mp4|webm` flag on render command
- Producer: threads format through RenderConfig, switches to PNG
capture and VP9 encoding when webm
- Engine: getEncoderPreset() returns VP9 config with yuva420p;
transparent page background via CDP when capturing PNG;
mux uses Opus audio for WebM; VP9 flags from production:
-row-mt 1, -auto-alt-ref 0, alpha_mode=1 metadata
- Frame capture: Emulation.setDefaultBackgroundColorOverride a=0
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
* feat: initial code port from hyperframes-internal
Port all OSS-ready packages from the internal monorepo:
- @hyperframes/core — shared types, HTML generation, GSAP utilities, runtime
- @hyperframes/cli — CLI for creating, previewing, and rendering compositions
- @hyperframes/engine — framework-agnostic rendering engine (BeginFrame + FFmpeg)
- @hyperframes/producer — video rendering pipeline (Puppeteer + FFmpeg)
- @hyperframes/ui-player — browser-based video player component
- @hyperframes/studio — composition editor (React frontend + Hono backend)
Includes regression test suite with Docker-based test harness.
All HeyGen-internal references, deployment infrastructure, and
proprietary assets have been removed. Package names migrated
from @app/* to @hyperframes/*.
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
* fix: scrub internal codenames and stale references from OSS port
- Replace static.heygen.ai runtime URLs in test fixtures
- Remove internal CDN publish script (publish-hyperframe-runtime.ts)
- Replace sandbox-studio, sandbox-interceptor, __magicEditRuntime
with neutral names (studio, hyperframe-runtime, __hyperframeRuntime)
- Fix stale Vault API / localhost references in docs
- Remove broken deprecated_studio link
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
* fix: remove remaining internal codenames and stale references
- Delete stale producer README.md and PIPELINE.md (referenced nonexistent files)
- Replace "Cerberus" codename with "HyperFrames" in test design reviews
- Replace magic-edit postMessage identifiers with hf-preview/hf-parent
- Rename debug-magic-edit-timeline.ts to debug-timeline.ts
- Replace "Motion Cut" with "HyperFrames" in Timeline comments
- Fix studio/CLI references to nonexistent archive package
(use local data/projects/ dir, stub render proxy)
Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
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Co-authored-by: Claude Opus 4.6 (1M context) <noreply@anthropic.com>
