---
title: Media Effects
description: "Apply deterministic shader effects to video and image media, combine them with color grading, and animate supported strengths with GSAP."
---

Use Media Effects to transform real `<video>` and `<img>` pixels with
deterministic blur, retro, print, and art treatments that can share one payload
with [Color Grading](/guides/color-grading).

## Effect Families

### Essentials

| Effect | What it does |
| --- | --- |
| Blur | Defocuses or softens the complete media layer |
| Pixelate | Converts the layer into a block mosaic |
| Bloom | Adds thresholded glow around bright regions |

### Retro & Glitch

| Effect | What it does |
| --- | --- |
| Chroma Softening | Smears chroma while retaining central luma |
| Tape Damage | Adds deterministic tracking errors, noise, ghosting, and dropouts |
| Film Artifacts | Adds deterministic dust and short scratches |
| Scanlines | Adds configurable horizontal display lines |
| CRT Curvature | Warps media toward curved display geometry |
| Channel Separation | Offsets color channels along an angle |
| Digital Glitch | Combines line tears, blocks, displacement, pixelation, and channel split |

When authoring JSON directly, **Chroma Softening** uses `chromaBleed` and
**Channel Separation** uses `chromaticAberration`. Query the capability command
for the canonical payload keys of all other controls.

### Print

| Effect | What it does |
| --- | --- |
| Halftone | Renders source color through a print-dot raster |
| Two-Ink Print | Reduces media to the built-in two-ink treatment |
| Ordered Dither | Quantizes media into an ordered limited palette |
| Mono Screen | Builds monochrome dot, shape, or line artwork |

### Art

| Effect | What it does |
| --- | --- |
| ASCII | Renders media as configurable procedural glyph cells |
| Engraving | Translates luminance into directional engraved lines |
| Crosshatch | Translates media into layered hand-hatched lines |
| Kuwahara Paint | Applies edge-preserving painterly smoothing |

## Quick Start

<Tabs>
  <Tab title="Studio">
    <Steps>
      <Step title="Select real media">
        Select a real `<img>` or `<video>` in the preview, Layers panel, or
        Timeline. Effects do not appear for arbitrary divs or CSS background
        images.
      </Step>
      <Step title="Choose and tune an effect">
        Preview an effect preset or open **Effects**. Enabling an effect uses a
        calibrated default; expand it to adjust only the controls relevant to
        the intended result.
      </Step>
      <Step title="Verify motion and framing">
        Play and scrub videos at the beginning, middle, and end. Confirm that
        moving effects and object-fit/object-position framing remain correct.
      </Step>
    </Steps>
  </Tab>
  <Tab title="Agent / CLI">
    Discover the narrow effect contract, then apply the complete treatment in
    one mutation:

    ```bash Terminal
    npx hyperframes media-treatment --capabilities --json
    npx hyperframes media-treatment --capability digitalGlitch --json

    npx hyperframes media-treatment \
      --project . \
      --file compositions/scene.html \
      --selector '#hero' \
      --grading '{"effects":{"digitalGlitch":0.55,"digitalGlitchColorSplit":0.25,"digitalGlitchLineTear":0.25,"digitalGlitchPixelate":0.15,"digitalGlitchBlockAmount":0.5,"digitalGlitchBlockDisplacement":0.25,"digitalGlitchSpeed":0.5}}' \
      --apply \
      --json
    ```
  </Tab>
</Tabs>

Project-local media is recommended; remote media requires compatible CORS.
[Media Overlays](/guides/media-overlays) are separate editable composition
layers rather than shader properties.

<Warning>
  Media Effects use the SDR/Rec.709 shader pipeline. Studio can preview that
  pipeline on browser-decoded HDR media, but native HDR rendering preserves the
  HDR source separately and does not apply these SDR effects to native HDR
  layers. Convert or tone-map to SDR when an effect must appear in the final
  output. See [Color Grading support](/guides/color-grading#support-matrix) and
  [HDR Rendering](/guides/hdr).
</Warning>

## Effect Presets

`Creator Camcorder`, `VHS Playback`, `8mm Home Movie`, `Editorial Halftone`, and
`Two-Ink Print` provide tested combinations of effect, correction, and
finishing settings. Preview one as a starting point, then tune the underlying
controls. They are normal shader payloads, not baked media or bundled LUTs.

## Agent Guidance

Agents should discover only the part of the toolbox relevant to the user's
intent:

The user may simply ask for _"an old home-video feel"_, _"a useful privacy
reveal"_, or _"something more graphic for this poster."_ The `media-use` skill
classifies that intent, then queries the narrow effect or recipe details instead
of loading the exhaustive contract.

```bash Terminal
npx hyperframes media-treatment --capabilities --json
npx hyperframes media-treatment --capability retro-glitch --json
npx hyperframes media-treatment --capability digitalGlitch --json
```

The concise overview lists capability families. A focused query returns the
effect's calibrated apply payload, controls, render lane, palette support, and
seek-safe animation path. Use the canonical payload instead of guessing
sub-control defaults.

Recipes are tested shortcuts, not a closed list. An agent may assemble a custom
payload when the source and intent justify it, but it should:

1. Choose one primary visual intent.
2. Query the exact effect or family contract.
3. Add only controls that visibly support that intent.
4. Avoid stacking several dominant stylizations without a reason.
5. Verify representative frames and a short render.

## Palettes

`palette` accepts two to six exact `#RRGGBB` colors in authored order.
Dark-to-light order creates normal luminance mapping; reversing the array
intentionally inverts that mapping.

```json data-color-grading
{
  "effects": {
    "dither": 1,
    "ditherSize": 0.5
  },
  "palette": ["#080717", "#3c185f", "#d9339f", "#ff6b66", "#aafae0"]
}
```

Compatible effects are ASCII, Ordered Dither, Mono Screen, Engraving, and
Crosshatch. A palette alone does not activate an effect.

Discover built-in palettes without copying their values into instructions:

```bash Terminal
npx hyperframes media-treatment --capability palettes --json
npx hyperframes media-treatment --capability electric-ink --json
```

## Animation and Keyframes

The following paths have seek-safe CSS custom properties and may be animated by
a paused, registered GSAP timeline:

- Global treatment intensity
- LUT intensity
- Exposure
- Blur
- Bloom
- Kuwahara Paint
- Pixelate
- ASCII
- Ordered Dither

Example blur-to-focus reveal:

```html index.html
<div
  class="clip"
  data-composition-id="media-effect-demo"
  data-start="0"
  data-duration="4"
>
  <video
    id="hero"
    src="assets/hero.mp4"
    muted
    playsinline
    style="--hf-color-grading-blur: 0.8"
    data-color-grading='{"effects":{"blur":0.8}}'
  ></video>
</div>

<script>
  const tl = gsap.timeline({ paused: true });
  tl.to(
    "#hero",
    {
      "--hf-color-grading-blur": 0,
      duration: 1.2,
      ease: "power2.out",
    },
    0,
  );
  window.__timelines = window.__timelines || {};
  window.__timelines["media-effect-demo"] = tl;
</script>
```

Author the initial custom-property value inline. Do not use timers, unseeded
randomness, frame-zero `set()` calls, or `onUpdate` callbacks. Query an effect's
focused capability to get its exact animation property and range.

Tape damage, digital glitch, film artifacts, and similar effects may contain
deterministic internal motion even when their overall strength is not one of
the keyframeable paths above.

## Important Effect Behavior

- **Tape Damage** is the primary analog-tape amount. Tracking controls moving
  tears, Noise controls row jitter/noise, and Speed controls their deterministic
  motion. Those subordinate controls do not activate tape damage by themselves.
- **Film Artifacts** adds sparse deterministic dust and scratches. Grain,
  vignette, color, and optional wrapper motion such as a subtle gate weave are
  separate choices.
- **Halftone** uses fixed print-oriented channel angles and edge behavior.
  Cell size remains adjustable.
- **Two-Ink Print** is HyperFrames' own fixed two-ink mapping. Do not describe
  it as a named commercial print process or stack it with Halftone by default.
- **ASCII** uses procedural glyph cells. Size, style, ink behavior, rotation,
  and a compatible palette remain configurable.
- **Ordered Dither** uses a temporally stable 4x4 Bayer matrix. It is not
  Floyd-Steinberg or another sequential error-diffusion algorithm.
- **Bloom** extracts bright regions before blurring them; it is different from
  raising highlights or whites.
- **Kuwahara Paint** smooths regions while preserving major edges. Radius,
  sharpness, and saturation shape the result.

## Deterministic Pipeline Order

HyperFrames evaluates combined treatment stages in one fixed order:

1. Source framing and multipass Blur/Kuwahara preparation
2. Chromatic and digital-glitch transforms
3. Primary correction, color grading, and LUT blended by global intensity
4. Grain and film artifacts
5. Mono, engraving, crosshatch, halftone, two-ink, dither, and ASCII
6. Bloom, scanlines, vignette, and CRT display masking
7. Before/after comparison

The order cannot currently be rearranged. A fixed order keeps Studio,
playback, seeking, and final rendering deterministic and prevents agents from
inventing incompatible effect graphs.

## Performance

Performance follows the number of treated pixels and the selected render lane,
not only the number of elements.

- Blur, Bloom, and Kuwahara use multipass rendering.
- Several tiled media elements can be cheaper than several overlapping
  full-frame elements.
- When more than two full-frame multipass-treated elements are visible
  together, verify continuous playback on the target machine.
- Simplify or pre-render a stack when preview frames drop.
- Kuwahara uses bounded half-float intermediate targets when supported and
  otherwise reports itself unavailable.

For 4K delivery, verify the effect at the final composition size. Resolution-
aware effects preserve their intended scale, but 4K still processes more pixels
than 1080p.

## Low-Level HTML Contract

Media effects live in the same persisted contract as grading:

```html index.html
<img
  id="poster"
  src="assets/poster.jpg"
  data-color-grading='{
    "effects":{
      "ascii":1,
      "asciiSize":0.066,
      "asciiStyle":0,
      "asciiColor":1,
      "asciiRotation":0
    },
    "palette":["#001100","#00ff00"],
    "colorSpace":"rec709"
  }'
/>
```

Unknown keys are rejected and values are normalized by the Core contract. The
CLI should remain the primary authoring surface for agents.

## Next Steps

<CardGroup cols={2}>
  <Card title="Color Grading" icon="palette" href="/guides/color-grading">
    Correct and grade media with scopes, wheels, curves, selections, and LUTs.
  </Card>
  <Card title="Media Overlays" icon="layer-group" href="/guides/media-overlays">
    Add authored HUD, flash, light-leak, and freeze-frame layers.
  </Card>
  <Card title="Keyframes" icon="diamond" href="/guides/keyframes">
    Edit and verify deterministic GSAP animation in Studio.
  </Card>
  <Card title="Performance" icon="gauge-high" href="/guides/performance">
    Diagnose source resolution, browser, decoder, and composition cost.
  </Card>
</CardGroup>