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hyperframes/registry/components/whip-pan-cut/whip-pan-cut.html
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Miguel Ángel 9734578e60 feat(registry): bring back the video-primitive moves (#3169)
Restores the 208 catalog items reverted after their previews 404'd in
production, this time on the payload mechanism rather than the .html files
that caused the outage.

The generator no longer writes a preview document to docs/public. That writer,
and the machinery under it, existed only to produce files the docs host
discards, so it is gone rather than bypassed. Items now embed the composition
itself via a payload, which is what the previous change already does for the
items that were already in the catalog.

The variables explorer is parked, not restored: it drove its preview through
the same unpublished .html path, so it would have shown an empty frame. Items
that declare variables get the live player plus the static variables table, and
reconnecting the explorer to payloads is a follow-up.
2026-08-10 18:46:03 -04:00

488 lines
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<!doctype html>
<!--
whip-pan-cut: HyperFrames video primitive (transitions / bridge)
Concept: the louder sibling of cut-the-curve. Scene A whips off laterally
with directional motion blur while scene B enters in the same direction at
matched velocity, on a speed-ramp profile (accelerate, fast middle,
decelerating catch). Two full-bleed content slots (the before-after-wipe
convention) with token-styled defaults.
Wave K, unit K6. Velocity matching is structural: both scenes ride ONE
strip (B docked one frame-width beyond A along the travel direction) and
the strip runs a single power3.inOut tween, so the seam velocity is exact
by construction and the profile is fast-middle with a decelerating catch.
Motion blur follows the motion-blur-streak recipe: a directional SVG
feGaussianBlur (stdDeviation "X 0", horizontal axis only) applied to the
mover (the strip carries both transform and filter; nothing else is
filtered, and there is no 3D on the strip for the filter to flatten). The
blur envelope is CAPPED at 16px and peaks exactly at mid-whip (peak
velocity), resolving to 0 at both ends: power3.in up over the first half,
power3.out down over the second, mirroring the strip's inOut velocity. The
proxy value is re-written on every seek via onUpdate and seeded at setup so
frame 0 renders sharp.
A hairline accent seam rides the boundary between the two scenes; it is
visible only while the whip runs, so it reads as the frame edge screaming
past rather than persistent chrome.
Slots (see README.md for a worked example):
- [data-slot="before"]: scene A, on stage at mount. Replace the children
of this element in your installed copy. Default: a muted token
wireframe.
- [data-slot="after"]: scene B, whipping in. Same mechanism. Default: a
brand-tinted version of the wireframe.
Direct img/video children of a slot are sized to cover the panel.
Variables (declared in data-composition-variables below):
- direction (left | right, default left): shared travel direction for
both scenes.
- whip_at (number, seconds, default 0.25): when the whip starts, relative
to mount start. Clamped so the whip always completes inside the clip.
- accent (green | blue | violet, default green): seam hairline and the
default after art tint. green maps to --brand, blue to --accent,
violet to --accent-2.
- exit (none | fade | up, default none): optional departure of the landed
scene B. Enabling it reserves a short tail window (min(0.35s, 25% of
D)) after B lands.
Envelope (transition profile, cut-the-curve precedent; the catch may still
be decelerating when a short clip window ends):
LEAD = whip_at (scene A rests, readable)
WHIP = 0.55s, power3.inOut, one frame-width of travel
REST = elastic remainder, dead still on B
EXIT = 0 when exit is none, else min(0.35s, 25% of D)
If D < LEAD + WHIP + EXIT, LEAD and WHIP scale down together.
Sync point: whip-cut at LEAD + WHIP/2 (peak velocity, 0.53s at defaults).
Sound cue: dispatches a bubbling `hf:sfx` CustomEvent with id "whip-cut"
at peak velocity. This primitive never plays audio.
Interruptible springs law (L1): the whip is a single owned tween on one
strip; a host redirect retargets the same transform channel and GSAP's
default overwrite preserves current velocity-position state at the
interruption frame (no snap-to-zero).
Mount contract: MOUNTABLE SUB-COMPOSITION. The runtime clones only
<template> contents; #root fills the host box (inset:0, container-type:
size), has no data-width/data-height, and registers one paused timeline
under the literal "whip-pan-cut" key (mount flattening strips
data-composition-id from the live root). Variables come from
window.__hyperframes.getVariables().
-->
<html
lang="en"
data-composition-id="whip-pan-cut"
data-composition-duration="1.2"
data-composition-variables='[
{ "id": "direction", "type": "enum", "role": "motion", "label": "Direction", "description": "Shared travel direction for the outgoing and incoming scenes.", "default": "left", "options": [{ "value": "left", "label": "Left" }, { "value": "right", "label": "Right" }] },
{ "id": "whip_at", "type": "number", "role": "timing", "label": "Whip start", "description": "Seconds after mount start when the whip begins.", "default": 0.25, "min": 0, "max": 8, "step": 0.05, "unit": "s" },
{ "id": "accent", "type": "enum", "role": "style", "label": "Accent", "description": "Seam hairline and default after art tint.", "default": "green", "options": [{ "value": "green", "label": "Green" }, { "value": "blue", "label": "Blue" }, { "value": "violet", "label": "Violet" }] },
{ "id": "exit", "type": "enum", "role": "timing", "label": "Exit", "description": "Optional departure of the landed scene. Default none: it rests until the frame cuts.", "default": "none", "options": [{ "value": "none", "label": "None" }, { "value": "fade", "label": "Fade" }, { "value": "up", "label": "Up" }] }
]'
>
<head>
<meta charset="UTF-8" />
<title>Whip Pan Cut</title>
</head>
<body>
<template>
<div id="root" data-composition-id="whip-pan-cut" data-duration="1.2" data-fps="30">
<style>
*,
*::before,
*::after {
box-sizing: border-box;
}
/* Root fills the host-owned box. Internal measurements use cqw/cqh
and every painted color comes from a contract token. */
#root {
position: absolute;
inset: 0;
container-type: size;
isolation: isolate;
overflow: hidden;
background: var(--bg, #07111f);
color: var(--fg, #f8fafc);
font-family: var(--font-body, Inter, system-ui, sans-serif);
}
.wpc-clip,
.wpc-strip,
.wpc-panel,
.wpc-slot {
position: absolute;
inset: 0;
width: 100%;
height: 100%;
}
.wpc-clip {
overflow: hidden;
}
/* The strip is the ONE mover: it carries both scenes, the transform
tween, and the directional blur filter. No 3D lives on it, so the
filter has nothing to flatten. */
.wpc-strip {
filter: url("#wpc-blur");
will-change: transform, filter;
}
.wpc-panel {
overflow: hidden;
}
/* Scene B docks one frame-width beyond scene A along the travel
direction, so the pan crosses one continuous surface. */
#root[data-direction="left"] .wpc-after {
left: 100%;
}
#root[data-direction="right"] .wpc-after {
left: -100%;
}
/* The seam hairline rides the boundary between the two scenes and
is timeline-owned: visible only while the whip runs. */
.wpc-seam {
position: absolute;
z-index: 3;
top: 0;
bottom: 0;
width: 0.35cqw;
transform: translateX(-50%);
background: var(--wpc-accent, #22c55e);
pointer-events: none;
}
#root[data-direction="left"] .wpc-seam {
left: 100%;
}
#root[data-direction="right"] .wpc-seam {
left: 0;
}
/* Caller-supplied media covers its panel edge to edge. */
.wpc-slot > img,
.wpc-slot > video {
position: absolute;
inset: 0;
width: 100%;
height: 100%;
object-fit: cover;
}
/* Token-styled default slot content: a wireframe card that reads
muted on the before layer and brand-tinted on the after layer.
Callers replacing slot children never see any of this. */
.wpc-default {
position: absolute;
inset: 0;
display: grid;
place-items: center;
}
.wpc-before .wpc-default {
background:
linear-gradient(
color-mix(in srgb, var(--border, #334155) 34%, transparent) 0.12cqw,
transparent 0.12cqw
)
0 0 / 5cqw 5cqw,
linear-gradient(
90deg,
color-mix(in srgb, var(--border, #334155) 34%, transparent) 0.12cqw,
transparent 0.12cqw
)
0 0 / 5cqw 5cqw,
var(--surface, #172033);
}
.wpc-after .wpc-default {
background: linear-gradient(
135deg,
color-mix(in srgb, var(--brand, #22c55e) 32%, var(--surface, #172033)) 0%,
var(--surface, #172033) 58%,
color-mix(in srgb, var(--wpc-accent, #22c55e) 22%, var(--surface, #172033)) 100%
);
}
.wpc-card {
width: 56cqw;
height: 56cqh;
padding: var(--space-3, 4cqh) var(--space-3, 4cqw);
border: 0.16cqw solid var(--border, #334155);
border-radius: var(--radius, 2.4cqmin);
background: color-mix(in srgb, var(--surface, #172033) 88%, var(--bg, #07111f));
box-shadow: 0 2cqh 5cqw color-mix(in srgb, var(--bg, #07111f) 45%, transparent);
}
.wpc-after .wpc-card {
border-color: color-mix(
in srgb,
var(--wpc-accent, #22c55e) 52%,
var(--border, #334155)
);
background: color-mix(in srgb, var(--surface, #172033) 86%, var(--brand, #22c55e));
}
.wpc-bar {
width: 34%;
height: 4.4cqh;
margin-bottom: var(--space-3, 4cqh);
border-radius: 1.2cqh;
background: var(--muted, #94a3b8);
opacity: 0.5;
}
.wpc-after .wpc-bar {
background: var(--wpc-accent, #22c55e);
opacity: 0.92;
}
.wpc-line {
height: 2.4cqh;
margin-bottom: var(--space-2, 2.6cqh);
border-radius: 1.2cqh;
background: var(--muted, #94a3b8);
opacity: 0.4;
}
.wpc-line:nth-of-type(2) {
width: 92%;
}
.wpc-line:nth-of-type(3) {
width: 68%;
}
.wpc-line:nth-of-type(4) {
width: 44%;
}
.wpc-after .wpc-line {
background: color-mix(in srgb, var(--brand, #22c55e) 70%, var(--fg, #f8fafc));
opacity: 0.75;
}
</style>
<div
id="whip-pan-cut-clip"
class="wpc-clip clip"
data-start="0"
data-duration="1.2"
data-track-index="0"
>
<svg width="0" height="0" aria-hidden="true" style="position: absolute">
<defs>
<filter id="wpc-blur" x="-50%" y="-20%" width="200%" height="140%">
<feGaussianBlur class="wpc-blur-node" in="SourceGraphic" stdDeviation="0 0" />
</filter>
</defs>
</svg>
<div class="wpc-strip">
<section class="wpc-panel wpc-before" aria-label="Outgoing scene">
<div class="wpc-slot" data-slot="before">
<!-- SLOT "before": replace the children of this element with
your own content (img, video, or HTML). -->
<div class="wpc-default" aria-hidden="true">
<div class="wpc-card">
<div class="wpc-bar"></div>
<div class="wpc-line"></div>
<div class="wpc-line"></div>
<div class="wpc-line"></div>
</div>
</div>
</div>
</section>
<section class="wpc-panel wpc-after" aria-label="Incoming scene">
<div class="wpc-slot" data-slot="after">
<!-- SLOT "after": replace the children of this element with
your own content (img, video, or HTML). -->
<div class="wpc-default" aria-hidden="true">
<div class="wpc-card">
<div class="wpc-bar"></div>
<div class="wpc-line"></div>
<div class="wpc-line"></div>
<div class="wpc-line"></div>
</div>
</div>
</div>
</section>
<div class="wpc-seam" aria-hidden="true"></div>
</div>
</div>
<script src="https://cdn.jsdelivr.net/npm/gsap@3.14.2/dist/gsap.min.js"></script>
<script>
(function () {
"use strict";
var root = document.getElementById("root");
// Literal id: mount flattening strips data-composition-id from the
// live root before this timeline registers.
var compositionId = "whip-pan-cut";
var strip = root.querySelector(".wpc-strip");
var seam = root.querySelector(".wpc-seam");
var blurNode = root.querySelector(".wpc-blur-node");
var vars =
window.__hyperframes && window.__hyperframes.getVariables
? window.__hyperframes.getVariables()
: {};
var direction = vars.direction === "right" ? "right" : "left";
var rawWhipAt = vars.whip_at == null ? 0.25 : Number(vars.whip_at);
var whipAt = Number.isFinite(rawWhipAt) ? Math.max(0, Math.min(8, rawWhipAt)) : 0.25;
// Each enum choice routes to a DIFFERENT contract token so the
// variable stays meaningful under a theme.
var accentColors = {
green: "var(--brand, #22c55e)",
blue: "var(--accent, #38bdf8)",
violet: "var(--accent-2, #c5a3ff)",
};
var accent = Object.prototype.hasOwnProperty.call(accentColors, vars.accent)
? vars.accent
: "green";
// The bundler mirrors composition variables as scoped CSS custom
// props, so this unit's own accent variable can shadow the
// contract --accent token inside the subtree ("blue" is a valid
// CSS color and would render pure blue). When the shadow is
// present, fall back to the literal contract value.
var computedAccent = getComputedStyle(root).getPropertyValue("--accent").trim();
if (
computedAccent === "green" ||
computedAccent === "blue" ||
computedAccent === "violet"
) {
accentColors.blue = "#38bdf8";
}
// INVARIANT: only none | fade | up reaches the timeline.
var exit = vars.exit === "fade" || vars.exit === "up" ? vars.exit : "none";
root.dataset.direction = direction;
root.style.setProperty("--wpc-accent", accentColors[accent]);
// Travel measured in px ONCE at mount (cq units inside tweened
// transform values are a seek trap). One frame-width lands scene
// B exactly where scene A stood.
var travel = root.clientWidth || 1920;
var sign = direction === "left" ? -1 : 1;
// RETIME RANGE: 0.6s to 3s. LEAD and WHIP scale together only when
// D is too short. REST absorbs any remainder; this is a transition
// profile (cut-the-curve precedent), so a short clip window may
// end while the catch is still decelerating. Never timeScale().
var WHIP_DURATION_BASE = 0.55;
var duration = Math.max(0.001, parseFloat(root.dataset.duration || "1.2"));
var EXIT = exit === "none" ? 0 : Math.min(0.35, duration * 0.25);
var scale =
duration - EXIT < whipAt + WHIP_DURATION_BASE
? (duration - EXIT) / (whipAt + WHIP_DURATION_BASE)
: 1;
var WHIP_AT = whipAt * scale;
var WHIP_DURATION = WHIP_DURATION_BASE * scale;
var WHIP_END = WHIP_AT + WHIP_DURATION;
var CUT_AT = WHIP_AT + WHIP_DURATION / 2;
var OUT_START = duration - EXIT;
// Blur cap per the motion-blur-streak recipe: peak stdDeviation
// stays well under the 30px readability ceiling.
var PEAK_BLUR = 16;
var blurProxy = { v: 0 };
function writeBlur() {
blurNode.setAttribute("stdDeviation", blurProxy.v + " 0");
}
// Seed frame 0 so a seek to t=0 renders sharp, not a stale blur.
writeBlur();
function fireSfx(id, t) {
root.dispatchEvent(
new CustomEvent("hf:sfx", { detail: { id: id, t: t }, bubbles: true }),
);
}
// Explicit both-endpoints state makes tl.seek(0) deterministic.
gsap.set(strip, { x: 0, y: 0, opacity: 1 });
gsap.set(seam, { autoAlpha: 0 });
var tl = gsap.timeline({ paused: true });
// WHIP: one strip, one speed-ramp tween. Both scenes share the
// transform, so seam velocity is matched by construction.
tl.fromTo(
strip,
{ x: 0 },
{ x: sign * travel, duration: WHIP_DURATION, ease: "power3.inOut" },
WHIP_AT,
);
// Blur envelope: peaks at mid-whip (peak velocity), zero at both
// ends. power3.in up / power3.out down mirrors the inOut ramp.
tl.to(
blurProxy,
{ v: PEAK_BLUR, duration: WHIP_DURATION / 2, ease: "power3.in", onUpdate: writeBlur },
WHIP_AT,
);
tl.to(
blurProxy,
{ v: 0, duration: WHIP_DURATION / 2, ease: "power3.out", onUpdate: writeBlur },
WHIP_AT + WHIP_DURATION / 2,
);
// Seam hairline: alive only while the whip runs.
tl.fromTo(
seam,
{ autoAlpha: 0 },
{
autoAlpha: 1,
duration: Math.min(0.1 * scale, WHIP_DURATION),
ease: "power1.out",
immediateRender: false,
},
WHIP_AT,
);
tl.to(
seam,
{ autoAlpha: 0, duration: 0.15 * scale, ease: "power1.in" },
Math.max(WHIP_AT, WHIP_END - 0.15 * scale),
);
tl.call(
function () {
fireSfx("whip-cut", CUT_AT);
},
[],
CUT_AT,
);
// REST: dead still on scene B until the frame cuts.
// EXIT: only when the exit variable asks for one; exit none holds
// the landed scene (frame roots own transitions).
if (exit !== "none") {
tl.to(strip, { opacity: 0, duration: EXIT, ease: "power2.in" }, OUT_START);
if (exit === "up") {
tl.to(strip, { y: "-6cqh", duration: EXIT, ease: "power2.in" }, OUT_START);
}
}
tl.seek(0);
window.__timelines = window.__timelines || {};
window.__timelines[compositionId] = tl;
})();
</script>
</div>
</template>
</body>
</html>