Files
hyperframes/packages/producer
Miguel Ángel 2be8a62c00 fix(engine): stop compositing phantom duplicates on captureBeyondViewport (#2607)
* fix(core): stop the async media-metadata rebind once render capture starts seeking

scheduleMetadataDurationHydration re-resolves and can swap the captured
GSAP timeline off a debounced loadedmetadata/durationchange event, fully
uncoordinated with the producer's own per-frame renderSeek calls. When a
full-length <video>'s metadata resolves after capture has already begun
(slow I/O, Docker), this races the deterministic BeginFrame capture loop
and can reflow sub-composition state mid-render, producing phase-offset
duplicate content in captured frames (#2550).

Render-mode duration correction already happens deterministically during
the probe stage before capture starts, so once renderSeek has been called
once there is nothing left for this self-correction to do — gate it off
for the rest of the session.

* fix(core): scope the metadata-rebind guard to actual render/export pages

renderSeek isn't capture-exclusive — Studio's own preview iframe falls
back to it for compositions whose timeline overhangs every native
adapter's duration. Gating the HF#2550 fix on renderCaptureSeekStarted
alone silently disabled the metadata-driven duration self-correction for
that live-scrub case too, where it's still needed. Require the render/
export page signal (window.__HF_EXPORT_RENDER_SEEK_CONFIG, set only by
the producer's fileServer.ts) alongside it, and add a regression test
covering the Studio-preview case.

* fix(engine): stop requesting beyond-viewport capture for video comps that don't need it

Root-caused HF#2550 by reproducing the reporter's public repro end-to-end
(not just the timeline-rebind mechanism from the earlier commits in this
branch) on native Linux: instrumented the actual DOM state during a real
capture session and confirmed the sub-composition never double-mounts —
getBoundingClientRect and the timeline's own local time both match the
single, correct DOM tree throughout. The phantom second copy only exists
in the captured screenshot pixels.

Bisected it to captureBeyondViewport: resolveVideoCaptureBeyondViewport
(#1094's tall-portrait fix) forces `Page.captureScreenshot`'s beyond-viewport
path on for any render with a native <video>, regardless of whether the
page's content actually overflows the declared capture height. On
SwiftShader that beyond-viewport path can composite a stale, vertically
offset paint of the page alongside the fresh one for content that fits
entirely within the viewport — producing exactly the reported phase-offset
duplicate. Disabling captureBeyondViewport (repro's video still present)
eliminates the duplicate outright; re-enabling it reproduces the duplicate
byte-for-byte, isolating it as the actual cause.

Adds pageContentExceedsCaptureHeight, a ground-truth measurement of the
page's actual scrollHeight against the requested capture height, and wires
it into initializeSession to downgrade captureBeyondViewport back to false
once the page is settled and it's confirmed unnecessary — the "reliable
clip predictor" the original #1094 fix's ponytail comment flagged as
missing. This keeps #1094's fix intact for content that genuinely
overflows while closing the SwiftShader ghosting hazard for the (common)
case of video that fits inside its own viewport.

* test(producer): add HF#2550 video+sub-composition regression fixture

Checks in the reporter's confirmed real-world reproduction (media
regenerated via ffmpeg testsrc2, matching their public repro repo) as a
regression fixture, with a golden baseline rendered against the fix.

Verified end-to-end via the project's own Docker regression harness:
- Rendering this fixture with the fix produces the golden baseline
  (clean, single flowchart instance, captureBeyondViewport correctly
  downgraded).
- Direct CLI renders (not through this harness) against unpatched code
  reproduce the reported phantom-duplicate artifact reliably (10/10).

Caveat documented in meta.json: the underlying bug is timing-dependent.
Two harness runs against unpatched code, using this same fixture, did
not reproduce the artifact (0/2) — the harness's in-process render path
apparently doesn't hit the same race window a direct CLI process does on
this host. This fixture is a best-effort regression guard and a
preserved real-world repro, not the sole protection — the deterministic
guard is packages/engine/src/services/screenshotService.test.ts's
pageContentExceedsCaptureHeight unit tests, which exercise the actual
fix logic directly.

Also adds an .gitattributes LFS rule for this fixture's source
index.html (744 KB — carries the real project's embedded base64
assets, over the largefiles hook's 500 KB non-LFS limit).

* fix: route HF#2550 fixture binaries through LFS (were committed raw)

filter.lfs.clean/smudge were locally configured as a no-op "cat" in
this repo's shared .git/config, silently disabling LFS filtering for
every worktree. The previous commit's large binaries (output.mp4,
compiled.html, source index.html, source video) landed as raw blobs
instead of LFS pointers as a result. Ran `git lfs install --local
--force` to restore the correct filter commands, then re-staged the
affected files so they commit as proper LFS pointers.

* fix(engine): address capture viewport review feedback
2026-07-17 11:59:45 -04:00
..
2026-07-17 01:07:09 -07:00

@hyperframes/producer

Full HTML-to-video rendering pipeline: capture frames with Chrome's BeginFrame API, encode with FFmpeg, mix audio — all in one call.

Install

npm install @hyperframes/producer

Requirements: Node.js >= 22, Chrome/Chromium (auto-downloaded), FFmpeg

Usage

Render a video

import { createRenderJob, executeRenderJob } from "@hyperframes/producer";

const job = createRenderJob({
  inputPath: "./my-composition.html",
  outputPath: "./output.mp4",
  width: 1920,
  height: 1080,
  fps: 30,
});

const result = await executeRenderJob(job, (progress) => {
  console.log(`${Math.round(progress.percent * 100)}%`);
});

console.log(result.outputPath); // ./output.mp4

Run as an HTTP server

The producer can also run as a render server, accepting render requests over HTTP:

import { startServer } from "@hyperframes/producer";

await startServer({ port: 8080 });
// POST /render with a RenderConfig body

Configuration

RenderConfig controls the render pipeline:

Option Default Description
inputPath Path to the HTML composition
outputPath Output video file path (or directory, for format: "png-sequence")
width 1920 Frame width in pixels
height 1080 Frame height in pixels
fps 30 Frames per second (24, 30, or 60)
quality "standard" Encoder preset ("draft", "standard", "high")
format "mp4" Output container — "mp4", "webm", "mov", or "png-sequence". See Transparent Video Output below.
videoFrameFormat "auto" Source video frame extraction format — "auto", "jpg", or "png". Use "png" for UI recordings, screen captures, and color-sensitive source videos.

Transparent Video Output

The producer can render HTML compositions to formats that carry a true alpha channel — not chroma key. The same composition that renders an opaque MP4 renders a layerable overlay when you set format.

format Codec / pixel format Alpha Audio Use case
"mp4" (default) H.264 (yuv420p) or H.265 + HDR10 No AAC Streaming, social, default deliverable
"webm" VP9 + yuva420p True alpha Opus Web playback as overlay (<video> over background); supported in Chrome, Edge, Firefox
"mov" ProRes 4444 + yuva444p10le True alpha + 10-bit AAC Editor ingest (Premiere, Final Cut Pro, DaVinci Resolve)
"png-sequence" Numbered RGBA PNGs in a directory Lossless alpha Sidecar audio.aac After Effects / Nuke / Fusion, or pipelines that post-process frames before encoding

Example

import { createRenderJob, executeRenderJob } from "@hyperframes/producer";

const job = createRenderJob({
  inputPath: "./my-composition.html",
  outputPath: "./output.webm", // or a directory for "png-sequence"
  width: 1080,
  height: 1920,
  fps: 30,
  format: "webm", // "mp4" | "webm" | "mov" | "png-sequence"
});

await executeRenderJob(job);

What "transparent background" means here

The producer captures Chrome screenshots with the page background forced transparent (html, body, [data-composition-id] { background: transparent !important }) and the CDP default background override set to RGBA 0,0,0,0. The captured PNGs carry a real alpha channel and that channel is preserved end-to-end:

  • VP9 (webm) is encoded with -pix_fmt yuva420p, -auto-alt-ref 0, -cpu-used 4 by default, and alpha_mode=1 metadata. Tune the speed/quality tradeoff with PRODUCER_VP9_CPU_USED (-8 to 8) or local CLI --vp9-cpu-used.
  • ProRes 4444 (mov) is encoded with -pix_fmt yuva444p10le.
  • PNG sequences are written without re-encoding (zero-padded frame_NNNNNN.png).

This is not chroma keying. There is no green/blue background to remove and no "key" tolerance to tune — pixels that were transparent in the browser are transparent in the output.

Caveats

  • Linux + alpha forces screenshot capture. Chrome's BeginFrame compositor (the default deterministic capture path on Linux headless-shell) does not preserve alpha; the orchestrator falls back to Page.captureScreenshot, which is slower per frame. macOS and Windows already use screenshot mode by default, so they are unaffected.
  • HDR + alpha is not supported. Setting hdr: true together with an alpha-capable format logs a warning and falls back to SDR. Use format: "mp4" for HDR10 output.
  • png-sequence does not produce a single muxed file. When the composition contains audio elements, an audio.aac sidecar is written alongside the PNGs in outputPath.
  • Safari + WebM alpha is incomplete. For broad browser playback of an alpha video, ship format: "mov" to your editor and re-encode for the codec your distribution target supports.

Authoring transparent compositions

Don't paint a fullscreen background in your HTML. The default body background is overridden to transparent automatically — any body { background: ... }, #root { background: ... }, or [data-composition-id] { background: ... } rule is force-overridden during alpha rendering. Backgrounds on inner elements (cards, scenes, components) are kept.

Distributed rendering

For renders too large for a single machine, the producer ships a public set of distributed-render primitives. They are pure functions over local file paths — networking and orchestration live in adapter packages (Temporal, AWS Lambda + Step Functions, Cloud Run Jobs, K8s Jobs).

import { plan, renderChunk, assemble } from "@hyperframes/producer/distributed";

// Controller-side: produce a self-contained planDir + content-addressed planHash.
const planResult = await plan(
  projectDir,
  { fps: 30, width: 1920, height: 1080, format: "mp4" },
  "/tmp/plan",
);

// Worker-side: render one chunk. Byte-identical retries on the same
// `(planDir, chunkIndex)` — Temporal / Step Functions retry policies are safe
// to point at this.
const chunk = await renderChunk("/tmp/plan", 0, "/tmp/chunks/0.mp4");

// Controller-side: stitch chunks into the final deliverable.
await assemble(
  "/tmp/plan",
  ["/tmp/chunks/0.mp4", "/tmp/chunks/1.mp4"],
  "/tmp/plan/audio.aac",
  "/tmp/output.mp4",
);

The three activity functions plus their result types are also re-exported from @hyperframes/producer so callers that pin the main package don't need a separate subpath import. Supported formats: mp4 SDR, mov ProRes 4444, and png-sequence. webm and HDR mp4 trip a typed FormatNotSupportedInDistributedError — use the in-process renderer (executeRenderJob) for those.

How it works

  1. Serve — spins up a local file server for the HTML composition
  2. Capture — opens the page in headless Chrome, seeks frame-by-frame via HeadlessExperimental.beginFrame (or Page.captureScreenshot for transparent / non-Linux renders), captures screenshots
  3. Encode — pipes frames through FFmpeg (with GPU encoder detection and chunked concat). Skipped for format: "png-sequence".
  4. Mix — extracts <audio> elements and mixes them into the final video. For png-sequence, audio is written as an audio.aac sidecar.
  5. Finalize — applies faststart for streaming-friendly MP4 (no-op for WebM, MOV, and png-sequence)

Documentation

Full documentation: hyperframes.heygen.com/packages/producer