mirror of
https://github.com/heygen-com/hyperframes.git
synced 2026-09-09 12:00:26 +00:00
* fix(studio): close the typecheck and fallow gaps wa-18b-reschedule opened useAutomationLanes.ts's write() assumed gesture-scoped coalescing and a preview-only commit that useDomEditAttributeCommits.ts never grew — backported that option support from its own later commit so the two sides of the API agree. The paste path and its tests were missing the box selection's v0/v1 bounds a sibling commit added to AutomationSelection. The FX panel's carve controls still edited the six mechanism numbers (maxCutDb, bands, intelligibilityBias) after carveProfile() collapsed authoring to one Strength knob, so those fields no longer existed on HfCarveSettings; UI now edits strength, and analyseCarveBands is called with carveProfile(strength). Also closes fallow's complexity, dead-code and duplication findings on this PR's diff: extracted automationLaneDragMath.ts (pure group/point-move math) and useAutomationRangeDrag.ts (the marquee-select gesture) out of useAutomationLaneGestures.ts, pulled a couple of render-loop ternaries and a resolver into named functions, dropped an export nothing outside its file used, and shared a step-simplifier between audioCarve's two envelope builders. The edge-stretch vs. box-select priority test in TimelineAutomationLane.test was still pinning the pre-box-select rule (edge wins over a point sitting on it) that a sibling commit deliberately reversed — a point inside the box is now selected content, so grabbing it drags the group instead. Updated the test to the shipped rule instead of the old one. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> * fix(core): cap the via conic's weight so an edge-clamped via point can't NaN A via point pulled out past the segment (viaX: 5, viaY: -3) clamps to (0.999, 0.001) — exactly on the steady region's edge, where edge - viaX is 0. viaConic divided by that zero to get an infinite weight, and shapeVia turned Infinity into NaN a few steps later (Infinity - Infinity in the quadratic coefficient). NaN reaching setValueCurveAtTime silences the automated parameter for the rest of the render. Capped the weight at 1e6 instead of leaving it unbounded — past that point the arc already reads as touching the via point, so nothing visible is lost. Also hardened shapeVia's existing denominator guard (`<= 0`) to `!(> 0)`, since NaN fails the original comparison and fell through it. Review by Miga (PR #3208). * fix(studio-server): fingerprint the proactive waveform cache key too The route already keys the waveform cache on the asset's size and mtime as well as its path, so a rebuilt-in-place file gets fresh peaks instead of stale ones. generateWaveformCache — the proactive path that runs on upload — still called buildWaveformCacheKey with the path alone, so it wrote to a different key than the route reads from (making the pre-generated cache never found) and kept the exact collision bug this fingerprint exists to fix on its own path. Review by Miga (PR #3211). * style(docs): run oxfmt on the /hyperframes-audio skill docs Table column widths had drifted out of alignment with oxfmt's own rules, failing format:check and blocking the Preflight gate every downstream branch inherits. Whitespace only, no content change. * fix(core): stop \b from missing underscore-separated names, guard clipsOverlap's negative duration \b treats `_` as a word character, so \bbed\b never matched bed_01, music_bed_loop, or theme_song, and \bvo\b/\bvox\b/\btts\b had the same gap — an underscore-separated bed classified as "unknown" and could end up offered as its own carve source. Replaced the short hints with a boundary that actually excludes letters and digits on both sides. clipsOverlap computed end = start + duration without guarding sign, so a negative duration put end before start — an interval that does not describe anything, and one specific case showed it silently dropping a real overlap (a shorter, earlier broken end rejected a clip that genuinely contained the point). Duration clamps to zero instead: a clip cannot un-play time, and a zero-length clip at its start is the sane reading of "duration nobody wrote down as positive." Review by Miga (PR #3212). * fix(studio): widen PropertyPanel's resetModules render timeout again The 20s margin (already once widened for the same reason) is timing out in CI's full-monorepo Test run — the resetModules()+fresh-import render this test needs is uncached and competes with every other package's test suite for the same worker pool, and the same test passes in well under 2s standalone. Went to 45s rather than re-tuning to whatever number happens to clear the current CI load, since that number moves every time CI gains a package. * fix(studio): stop the single-candidate auto-apply carve firing twice Two auto-apply effects both fire when sourceOptions.length === 1: the multi-candidate effect only guards length === 0, so a single candidate passes it too, and the single-candidate effect passes its own guard right after — both compute the same sources list and both call setCarve, so the common case (one narrator, one bed) triggered two decodes, two FFT runs, and two concurrent attribute writes for one decision. The multi-candidate effect now defers to its sibling for exactly one candidate, which already has its own detailed handling for that case. Review by Miga (PR #3213). * feat(core): carve against every voice over a bed, always (#3212) * feat(core): carve against every voice over a bed, always dynamically A bed usually runs under a whole sequence — a narrator, an interview answer, a second presenter — and carving against one of them left the others fighting it. `source` becomes `sources`, and `mixCarveSources` sums every voice onto the BED's clock before anything is measured. That is what keeps one analysis sufficient: the chain is fixed, so there is no per-voice filter to switch between, and bands drawn from all the speech there is with envelopes that rise wherever any of it happens answer the actual question — where and when is speech masking this bed. Summed rather than averaged: two people talking at once mask more than either alone. Audio before the bed starts is dropped rather than folded in at zero, since it plays over nothing and shifting it would put a cut where there is no voice. `dynamic` is gone. A fixed depth thins the bed through every pause, and once both have been heard there is no reason to want it, so every carve follows the speech. Two helpers the panel and the headless script now share instead of each carrying a copy — two definitions of "what does this name suggest" drift, and then the two disagree about which track is the voice: - `classifyAudioName` reads a track's kind from its id and filename together. `unknown` is deliberately common: treating an unrecognised name as "not a voice" would hide the one track somebody needs to pick. - `clipsOverlap` keeps out a voice that never plays while the bed does. An unwritten duration counts as unbounded, not zero — refusing a clip whose length the composition leaves to the media would drop the commonest case there is. Files written before this still load: a single `source` reads as a one-voice list, a stored `dynamic` is ignored, and an absent attribute means the defaults whole. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> * fix(core): stop \b from missing underscore-separated names, guard clipsOverlap's negative duration \b treats `_` as a word character, so \bbed\b never matched bed_01, music_bed_loop, or theme_song, and \bvo\b/\bvox\b/\btts\b had the same gap — an underscore-separated bed classified as "unknown" and could end up offered as its own carve source. Replaced the short hints with a boundary that actually excludes letters and digits on both sides. clipsOverlap computed end = start + duration without guarding sign, so a negative duration put end before start — an interval that does not describe anything, and one specific case showed it silently dropping a real overlap (a shorter, earlier broken end rejected a clip that genuinely contained the point). Duration clamps to zero instead: a clip cannot un-play time, and a zero-length clip at its start is the sane reading of "duration nobody wrote down as positive." Review by Miga (PR #3212). --------- Co-authored-by: Claude Opus 5 (1M context) <noreply@anthropic.com> * fix(studio): port the carve UI off the removed source/dynamic fields #3212 (accidentally squash-merged into this branch instead of main) changed HfCarveSettings from a single `source` + `dynamic` toggle to a `sources` list with dynamic mode removed outright — the multi-voice UI consumer that goes with that shape lands in the very next PR, so this branch was left with a type that no longer matched its own code. Minimal port, not the multi-voice redesign that PR does properly: the "Listen to" picker and analyse() treat sources[0] as the one voice this UI still understands, and every dynamic-mode branch (the automated envelope lanes, the toggle, the checkbox) is gone along with the field — a carve is now always the static value the analysis computes, matching what the type change made permanent. Test suite trimmed the same way: the automation-lane and toggle tests covered behavior that no longer exists. --------- Co-authored-by: Claude Opus 5 (1M context) <noreply@anthropic.com>
611 lines
24 KiB
TypeScript
611 lines
24 KiB
TypeScript
/**
|
|
* The FX section for an audio element: the chain, plus the voiceover carve.
|
|
*
|
|
* The carve is its own module — see `propertyPanelFxCarveModule.tsx` for why it
|
|
* is not an entry in the chain.
|
|
*/
|
|
|
|
import { useCallback, useEffect, useMemo, useRef, useState } from "react";
|
|
import {
|
|
defaultAudioFxParams,
|
|
getAudioFxDef,
|
|
HF_AUDIO_FX,
|
|
mintAudioFxNodeId,
|
|
type HfAudioFxChain,
|
|
type HfAudioFxGroup,
|
|
type HfAudioFxNode,
|
|
type HfAudioFxParamValues,
|
|
} from "@hyperframes/core/audio-fx";
|
|
import { DEFAULT_CARVE, type HfCarveSettings } from "@hyperframes/core/audio-carve";
|
|
import { applyAudioFxPreset, getAudioFxPreset } from "@hyperframes/core/audio-fx-presets";
|
|
import {
|
|
addAudioEq,
|
|
audioEqIds,
|
|
readAudioEqBands,
|
|
removeAudioEq,
|
|
setAudioEqBandGain,
|
|
} from "@hyperframes/core/audio-fx-eq";
|
|
import { EFFECT_COPY } from "@hyperframes/core/audio-fx-copy";
|
|
import {
|
|
audioFxJobNode,
|
|
HF_AUDIO_FX_JOBS,
|
|
HF_AUDIO_FX_JOB_TYPES,
|
|
type HfAudioFxJob,
|
|
} from "@hyperframes/core/audio-fx-jobs";
|
|
import { FxPresetMenu } from "./propertyPanelFxPresetMenu.js";
|
|
import { FxEqModule } from "./propertyPanelFxEqModule.js";
|
|
import { FxCarveModule, type AudioTrackOption } from "./propertyPanelFxCarveModule.js";
|
|
import { FxNodeRow } from "./propertyPanelFxNodeRow.js";
|
|
|
|
export type { AudioTrackOption };
|
|
|
|
const GROUP_ORDER: HfAudioFxGroup[] = ["filter", "dynamics", "nonlinear", "time"];
|
|
const GROUP_LABEL: Record<HfAudioFxGroup, string> = {
|
|
filter: "Filters",
|
|
dynamics: "Dynamics",
|
|
nonlinear: "Non-linear",
|
|
time: "Time",
|
|
};
|
|
|
|
export interface FxSectionProps {
|
|
chain: HfAudioFxChain;
|
|
/** Targets this track already automates, as `fx.<nodeId>.<param>` strings. */
|
|
automatedTargets?: ReadonlySet<string>;
|
|
/**
|
|
* What each automated target is worth at the playhead, by the same key.
|
|
*
|
|
* An automated parameter's stored number is only the seed the lane replaced, so
|
|
* a rack that shows it stands still while the carve is audibly working. Absent,
|
|
* or missing a key, means there is no playhead over this clip and the stored
|
|
* value is the honest one.
|
|
*/
|
|
liveAutomationValues?: ReadonlyMap<string, number>;
|
|
/** Add a lane for one effect parameter, seeded at its current value. */
|
|
onAutomateParam?(nodeId: string, paramKey: string): void;
|
|
/** Delete one effect parameter's lane. */
|
|
onRemoveParamAutomation?(nodeId: string, paramKey: string): void;
|
|
/** Delete every lane belonging to a node that is being removed. */
|
|
onRemoveNodeAutomation?(nodeId: string): void;
|
|
/** Measure this track and write the levelling lane. Absent when unavailable. */
|
|
onLevel?(): void;
|
|
/** Take the levelling stage and its lane back out. */
|
|
onRemoveLevel?(): void;
|
|
/** Whether a levelling stage is already on the track. */
|
|
levelled?: boolean;
|
|
/**
|
|
* Hover-audition of the levelling script: measure this track and play the
|
|
* result without persisting it, and put it back on `false`.
|
|
*
|
|
* Separate from `onChainPreview` because it is the one audition that cannot be
|
|
* synthesised from the chain in hand — the numbers do not exist until the
|
|
* audio has been decoded and measured.
|
|
*/
|
|
onAuditionLevel?(on: boolean): void;
|
|
/** Whether that measurement is running, so the button can say so. */
|
|
auditioningLevel?: boolean;
|
|
/** Structural edits and gesture-end writes; this is the one that persists. */
|
|
onChainChange(chain: HfAudioFxChain): void;
|
|
/** Continuous updates while a control is being dragged. */
|
|
onChainPreview?(chain: HfAudioFxChain): void;
|
|
carve: HfCarveSettings | null;
|
|
/** Gesture-end write; this is the one that persists. */
|
|
onCarveChange(carve: HfCarveSettings | null): void;
|
|
/** Continuous updates while a carve slider is dragged. Without this every
|
|
* pointermove patched the source file and resynced the selection. */
|
|
onCarvePreview?(carve: HfCarveSettings): void;
|
|
/**
|
|
* Set when another track's carve listens to this one, naming it. The carve block
|
|
* is then not offered here at all: this track is the voice, not the bed.
|
|
*/
|
|
carvedAgainstBy?: string | null;
|
|
/** Other audio elements that could act as the carve source. */
|
|
sourceOptions: AudioTrackOption[];
|
|
analysing?: boolean;
|
|
disabled?: boolean;
|
|
}
|
|
|
|
export function FxSection({
|
|
chain,
|
|
automatedTargets,
|
|
liveAutomationValues,
|
|
onAutomateParam,
|
|
onRemoveParamAutomation,
|
|
onRemoveNodeAutomation,
|
|
onChainChange,
|
|
onChainPreview,
|
|
carve,
|
|
carvedAgainstBy,
|
|
onCarveChange,
|
|
onCarvePreview,
|
|
sourceOptions,
|
|
analysing,
|
|
disabled,
|
|
onLevel,
|
|
onRemoveLevel,
|
|
levelled,
|
|
onAuditionLevel,
|
|
auditioningLevel,
|
|
}: FxSectionProps) {
|
|
// Falls back to the persisting write when no preview handler is supplied, which
|
|
// keeps the control working rather than going dead.
|
|
const previewCarve = onCarvePreview ?? onCarveChange;
|
|
|
|
// Nothing to carve against means nothing to show — see the block below.
|
|
// Not offered on the voice another track is already carving against — that
|
|
// track is the far end of someone else's relationship, and a carve of its own
|
|
// could only name a source it must not.
|
|
const showCarve = !carvedAgainstBy && (sourceOptions.length > 0 || carve !== null);
|
|
|
|
const [adding, setAdding] = useState(false);
|
|
const [picking, setPicking] = useState(false);
|
|
const [openNode, setOpenNode] = useState<number | null>(0);
|
|
|
|
/**
|
|
* The add menu, with the jobs standing in for the effect they are made of.
|
|
*
|
|
* `peaking` is not offered as itself: picking it is picking a machine and
|
|
* leaving the real decision — which range — for afterwards. The jobs are that
|
|
* decision, already made. See `audioFxJobs.ts`.
|
|
*/
|
|
const grouped = useMemo(
|
|
() =>
|
|
GROUP_ORDER.map((g) => ({
|
|
group: g,
|
|
defs: HF_AUDIO_FX.filter((d) => d.group === g && !HF_AUDIO_FX_JOB_TYPES.has(d.id)),
|
|
jobs: HF_AUDIO_FX_JOBS.filter((job) => getAudioFxDef(job.type)?.group === g),
|
|
})),
|
|
[],
|
|
);
|
|
|
|
const mutate = useCallback(
|
|
(nodes: HfAudioFxNode[]) => onChainChange({ ...chain, nodes }),
|
|
[chain, onChainChange],
|
|
);
|
|
|
|
// Dragging a knob previews without persisting; releasing it commits once.
|
|
const previewNode = useCallback(
|
|
(index: number, params: HfAudioFxParamValues) =>
|
|
onChainPreview?.({
|
|
...chain,
|
|
nodes: chain.nodes.map((n, i) => (i === index ? { ...n, params } : n)),
|
|
}),
|
|
[chain, onChainPreview],
|
|
);
|
|
|
|
/**
|
|
* The chain as it is really stored, captured when an audition starts.
|
|
*
|
|
* Auditioning writes through the preview channel, which does not persist and
|
|
* does not come back as a new `chain` prop — so reverting has to remember what
|
|
* was there rather than read it back. Null means nothing is being auditioned,
|
|
* which is also what makes a stray leave a no-op instead of a write.
|
|
*/
|
|
const auditionBase = useRef<HfAudioFxChain | null>(null);
|
|
|
|
/**
|
|
* Play something without committing to it, and put it back on the way out.
|
|
*
|
|
* Hearing a preset before choosing it is the strongest affordance in this
|
|
* panel — see `plans/audio-fx-ux/README.md` §Decided. It costs nothing new:
|
|
* the preview channel a slider drag already uses rebuilds the running graph
|
|
* without touching the document.
|
|
*/
|
|
const audition = useCallback(
|
|
(make: ((base: HfAudioFxChain) => HfAudioFxChain) | null) => {
|
|
if (!onChainPreview) return;
|
|
if (make) {
|
|
auditionBase.current ??= chain;
|
|
onChainPreview(make(auditionBase.current));
|
|
} else if (auditionBase.current) {
|
|
onChainPreview(auditionBase.current);
|
|
auditionBase.current = null;
|
|
}
|
|
},
|
|
[chain, onChainPreview],
|
|
);
|
|
|
|
/**
|
|
* The preview handler as of the last render, held rather than closed over.
|
|
*
|
|
* The teardown below must run on teardown and at no other time, so its deps
|
|
* have to be empty — and `onChainPreview` is an inline arrow in the group,
|
|
* which re-renders on every playhead tick to move the automation readouts. A
|
|
* dep on it made React tear down and re-run the effect on every one of those
|
|
* ticks, so an audition reverted itself about 30 times a second while the
|
|
* pointer was still on the button: the preset was heard for a frame during
|
|
* playback, which is the exact case the whole affordance exists for.
|
|
*/
|
|
const previewRef = useRef(onChainPreview);
|
|
previewRef.current = onChainPreview;
|
|
|
|
// Leaving by any route other than the pointer — the element deselected, the
|
|
// panel closed — would otherwise leave the audition playing over a chain the
|
|
// document does not have.
|
|
useEffect(
|
|
() => () => {
|
|
if (auditionBase.current) previewRef.current?.(auditionBase.current);
|
|
},
|
|
[],
|
|
);
|
|
|
|
const applyPreset = useCallback(
|
|
(id: string) => {
|
|
const preset = getAudioFxPreset(id);
|
|
if (!preset) return;
|
|
// Appends. Stacking a character preset onto an already-cleaned voice is a
|
|
// real thing to want, and replacing silently would throw work away — so
|
|
// the destructive option is a separate gesture, not the default one.
|
|
const next = applyAudioFxPreset(chain, preset);
|
|
// The audition WAS this, so there is nothing to put back — and putting the
|
|
// old chain back over the write that just landed is a race the author
|
|
// hears as the preset arriving and then leaving again.
|
|
auditionBase.current = null;
|
|
mutate(next.nodes);
|
|
// Land on the first node the preset wrote, so the author can hear what
|
|
// arrived and immediately see what it is made of.
|
|
setOpenNode(next.nodes.findIndex((n) => n.fromPreset === preset.id));
|
|
setPicking(false);
|
|
},
|
|
[chain, mutate],
|
|
);
|
|
|
|
/** One effect at its defaults, appended — what both adding and auditioning do. */
|
|
const withEffect = useCallback(
|
|
(base: HfAudioFxChain, type: string): HfAudioFxChain => ({
|
|
...base,
|
|
nodes: [
|
|
...base.nodes,
|
|
{ type, id: mintAudioFxNodeId(base), enabled: true, params: defaultAudioFxParams(type) },
|
|
],
|
|
}),
|
|
[],
|
|
);
|
|
|
|
/** The same, for a job — an ordinary node that arrives already named and aimed. */
|
|
const withJob = useCallback(
|
|
(base: HfAudioFxChain, job: HfAudioFxJob): HfAudioFxChain => ({
|
|
...base,
|
|
nodes: [...base.nodes, audioFxJobNode(job, base)],
|
|
}),
|
|
[],
|
|
);
|
|
|
|
const addJob = useCallback(
|
|
(job: HfAudioFxJob) => {
|
|
auditionBase.current = null;
|
|
mutate(withJob(chain, job).nodes);
|
|
setOpenNode(chain.nodes.length);
|
|
setAdding(false);
|
|
},
|
|
[chain, mutate, withJob],
|
|
);
|
|
|
|
const addEffect = useCallback(
|
|
(type: string) => {
|
|
auditionBase.current = null;
|
|
mutate(withEffect(chain, type).nodes);
|
|
setOpenNode(chain.nodes.length);
|
|
setAdding(false);
|
|
},
|
|
[chain, mutate, withEffect],
|
|
);
|
|
|
|
const updateNode = useCallback(
|
|
(index: number, patch: Partial<HfAudioFxNode>) =>
|
|
mutate(chain.nodes.map((n, i) => (i === index ? { ...n, ...patch } : n))),
|
|
[chain.nodes, mutate],
|
|
);
|
|
|
|
const removeNode = useCallback(
|
|
(index: number) => {
|
|
// The node's lanes go with it. `resolveAutomation` only hides an orphan at
|
|
// read time; left in the attribute, and with ids minted lowest-free, the
|
|
// next effect added takes the same id and inherits the dead envelope —
|
|
// arriving with its control disabled and "Automated" without the author
|
|
// ever automating it, and baked into the render.
|
|
const removedId = chain.nodes[index]?.id;
|
|
if (removedId) onRemoveNodeAutomation?.(removedId);
|
|
mutate(chain.nodes.filter((_, i) => i !== index));
|
|
setOpenNode(null);
|
|
},
|
|
[chain.nodes, mutate, onRemoveNodeAutomation],
|
|
);
|
|
|
|
// Open by default: the module is the carve's whole control surface now, and a
|
|
// collapsed card would hide the knob the author came here for.
|
|
const [carveOpen, setCarveOpen] = useState(true);
|
|
const carveNodes = useMemo(() => chain.nodes.filter((n) => n.fromCarve), [chain.nodes]);
|
|
/** Everything the author added, with the chain index every edit addresses. */
|
|
const handBuilt = useMemo(
|
|
() =>
|
|
chain.nodes
|
|
.map((node, i) => ({ node, i }))
|
|
// Carve and EQ bands belong to their own modules; showing them here too
|
|
// would put the same filter on screen twice with two ways to edit it.
|
|
.filter(({ node }) => !node.fromCarve && !node.fromEq),
|
|
[chain.nodes],
|
|
);
|
|
|
|
const eqIds = useMemo(() => audioEqIds(chain), [chain]);
|
|
const [openEq, setOpenEq] = useState<string | null>(null);
|
|
|
|
const addEq = useCallback(() => {
|
|
auditionBase.current = null;
|
|
const { chain: next, eqId } = addAudioEq(chain);
|
|
mutate(next.nodes);
|
|
setOpenEq(eqId);
|
|
setAdding(false);
|
|
}, [chain, mutate]);
|
|
|
|
// Dragging a fader is heard immediately and written once on release, the same
|
|
// split every other control in the rack uses.
|
|
const previewEqBand = useCallback(
|
|
(eqId: string, band: string, gain: number) =>
|
|
onChainPreview?.(setAudioEqBandGain(chain, eqId, band, gain)),
|
|
[chain, onChainPreview],
|
|
);
|
|
const commitEqBand = useCallback(
|
|
(eqId: string, band: string, gain: number) =>
|
|
mutate(setAudioEqBandGain(chain, eqId, band, gain).nodes),
|
|
[chain, mutate],
|
|
);
|
|
const removeEq = useCallback(
|
|
(eqId: string) => {
|
|
for (const node of chain.nodes) {
|
|
if (node.fromEq === eqId && node.id) onRemoveNodeAutomation?.(node.id);
|
|
}
|
|
mutate(removeAudioEq(chain, eqId).nodes);
|
|
},
|
|
[chain, mutate, onRemoveNodeAutomation],
|
|
);
|
|
|
|
const moveNode = useCallback(
|
|
(index: number, delta: number) => {
|
|
const target = index + delta;
|
|
if (target < 0 || target >= chain.nodes.length) return;
|
|
const next = [...chain.nodes];
|
|
const [moved] = next.splice(index, 1);
|
|
next.splice(target, 0, moved!);
|
|
mutate(next);
|
|
setOpenNode(target);
|
|
},
|
|
[chain.nodes, mutate],
|
|
);
|
|
|
|
return (
|
|
<div className="hf-fx-section space-y-2">
|
|
<div className="hf-fx-chain space-y-1">
|
|
{/* Carve leads the rack, which is also where its effects sit in the signal
|
|
path — corrective work before anything the author added. Present
|
|
whenever there is a voice for it to listen to, rather than appearing
|
|
only once it has already produced something: a control that materialises
|
|
after the fact cannot be the thing you reach for to start. */}
|
|
{showCarve ? (
|
|
<FxCarveModule
|
|
nodes={carveNodes}
|
|
carve={carve ?? { ...DEFAULT_CARVE }}
|
|
sourceOptions={sourceOptions}
|
|
automatedTargets={automatedTargets}
|
|
liveAutomationValues={liveAutomationValues}
|
|
open={carveOpen}
|
|
disabled={disabled}
|
|
analysing={analysing}
|
|
onToggleOpen={() => setCarveOpen((was) => !was)}
|
|
onCarveChange={onCarveChange}
|
|
onCarvePreview={previewCarve}
|
|
/>
|
|
) : null}
|
|
{eqIds.map((eqId) => (
|
|
<FxEqModule
|
|
key={eqId}
|
|
eqId={eqId}
|
|
bands={readAudioEqBands(chain, eqId)}
|
|
open={openEq === eqId}
|
|
disabled={disabled}
|
|
onToggleOpen={() => setOpenEq((was) => (was === eqId ? null : eqId))}
|
|
onPreview={(band, gain) => previewEqBand(eqId, band, gain)}
|
|
onCommit={(band, gain) => commitEqBand(eqId, band, gain)}
|
|
onRemove={() => removeEq(eqId)}
|
|
/>
|
|
))}
|
|
{handBuilt.length === 0 && eqIds.length === 0 ? (
|
|
<p className="hf-fx-empty py-1 text-[11px] text-panel-text-4">
|
|
{showCarve ? "No other effects on this track." : "No effects on this track."}
|
|
</p>
|
|
) : (
|
|
handBuilt.map(({ node, i }) => {
|
|
return (
|
|
<FxNodeRow
|
|
// Keyed by id, as the carve module's list above already is.
|
|
// On `${type}-${index}` two effects of the same type keep their
|
|
// keys through a reorder, so React reuses each row where it
|
|
// stands — and the controls hold real state (a half-typed
|
|
// number, an in-flight drag), which then lands on whichever
|
|
// effect moved into that slot.
|
|
key={node.id ?? `${node.type}-${i}`}
|
|
node={node}
|
|
index={i}
|
|
automatedTargets={automatedTargets}
|
|
liveAutomationValues={liveAutomationValues}
|
|
onAutomateParam={onAutomateParam}
|
|
onRemoveParamAutomation={onRemoveParamAutomation}
|
|
open={openNode === i}
|
|
last={i === chain.nodes.length - 1}
|
|
disabled={disabled}
|
|
onToggleOpen={() => setOpenNode(openNode === i ? null : i)}
|
|
onUpdate={updateNode}
|
|
onMove={moveNode}
|
|
onRemove={removeNode}
|
|
onPreview={previewNode}
|
|
/>
|
|
);
|
|
})
|
|
)}
|
|
</div>
|
|
|
|
{adding ? (
|
|
<div
|
|
className="hf-fx-add-menu space-y-1.5 rounded-[4px] border border-panel-border-input p-1.5"
|
|
// On the shelf, not on each button: moving between two of them passes
|
|
// through the gap, and a per-button leave would revert on the way.
|
|
onMouseLeave={() => {
|
|
audition(null);
|
|
onAuditionLevel?.(false);
|
|
}}
|
|
// The keyboard's version of leaving. Tabbing between two entries fires
|
|
// this and then the next one's focus, so it reverts and re-auditions.
|
|
onBlur={() => {
|
|
audition(null);
|
|
onAuditionLevel?.(false);
|
|
}}
|
|
>
|
|
<div className="hf-fx-add-group flex flex-wrap items-center gap-1">
|
|
<span className="hf-fx-add-group-label w-full font-mono text-[9px] uppercase tracking-wide text-panel-text-4">
|
|
Tone
|
|
</span>
|
|
{onLevel ? (
|
|
<button
|
|
type="button"
|
|
className="hf-fx-add-composite rounded-[3px] bg-panel-surface px-1.5 py-0.5 text-[10px] text-panel-text-1 hover:text-panel-text-0"
|
|
title="Listen to this track and even out its loud and quiet parts."
|
|
disabled={disabled || analysing}
|
|
onClick={() => {
|
|
if (levelled) onRemoveLevel?.();
|
|
else onLevel();
|
|
setAdding(false);
|
|
}}
|
|
// The one module here that cannot answer instantly: it has to
|
|
// decode the track and measure it before there is anything to
|
|
// hear. So it says it is working rather than doing nothing
|
|
// visible, and whoever handles this must drop a result that
|
|
// arrives after the pointer has gone.
|
|
onMouseEnter={
|
|
levelled
|
|
? undefined
|
|
: () => {
|
|
audition(null);
|
|
onAuditionLevel?.(true);
|
|
}
|
|
}
|
|
onFocus={levelled ? undefined : () => onAuditionLevel?.(true)}
|
|
>
|
|
{levelled ? "Remove levelling" : "Even Out Levels"}
|
|
{auditioningLevel ? <span className="hf-fx-add-working"> measuring…</span> : null}
|
|
</button>
|
|
) : null}
|
|
<button
|
|
type="button"
|
|
// Not hf-fx-add-item: Tone is a composite over several filters,
|
|
// not an entry in the effect registry, and a count of the registry
|
|
// must not include it.
|
|
className="hf-fx-add-composite rounded-[3px] bg-panel-surface px-1.5 py-0.5 text-[10px] text-panel-text-1 hover:text-panel-text-0"
|
|
title="Bass, middle and treble on one set of faders."
|
|
// No audition of its own: a Tone module arrives with every band at
|
|
// 0 dB, so there is nothing to hear until a fader moves, and a
|
|
// hover that changes nothing teaches that hovering does nothing.
|
|
// It still has to call the neighbours' auditions off.
|
|
onMouseEnter={() => {
|
|
audition(null);
|
|
onAuditionLevel?.(false);
|
|
}}
|
|
onClick={addEq}
|
|
>
|
|
Tone (EQ)
|
|
</button>
|
|
</div>
|
|
{grouped.map(({ group, defs, jobs }) => (
|
|
<div key={group} className="hf-fx-add-group flex flex-wrap items-center gap-1">
|
|
<span className="hf-fx-add-group-label w-full font-mono text-[9px] uppercase tracking-wide text-panel-text-4">
|
|
{GROUP_LABEL[group]}
|
|
</span>
|
|
{jobs.map((job) => (
|
|
<button
|
|
key={job.id}
|
|
type="button"
|
|
// Same class as any other entry: a job IS an effect, and one
|
|
// that looked special would read as a preset rather than as
|
|
// the thing the author is about to add.
|
|
className="hf-fx-add-item rounded-[3px] bg-panel-surface px-1.5 py-0.5 text-[10px] text-panel-text-1 hover:text-panel-text-0"
|
|
title={job.does}
|
|
onClick={() => addJob(job)}
|
|
onMouseEnter={() => {
|
|
onAuditionLevel?.(false);
|
|
audition((base) => withJob(base, job));
|
|
}}
|
|
onFocus={() => audition((base) => withJob(base, job))}
|
|
>
|
|
{job.label}
|
|
</button>
|
|
))}
|
|
{defs.map((d) => (
|
|
<button
|
|
key={d.id}
|
|
type="button"
|
|
className="hf-fx-add-item rounded-[3px] bg-panel-surface px-1.5 py-0.5 text-[10px] text-panel-text-1 hover:text-panel-text-0"
|
|
// The menu that adds it has to call it what the rack will call
|
|
// it, or the author picks "High-pass" and a module named
|
|
// "Remove Rumble" appears. The registry's own description
|
|
// stays as the tooltip beside the plain one: the mechanism is
|
|
// taught here rather than withheld.
|
|
title={
|
|
EFFECT_COPY[d.id] ? `${EFFECT_COPY[d.id]?.does} (${d.label})` : d.description
|
|
}
|
|
onClick={() => addEffect(d.id)}
|
|
// Cancels the levelling audition as well as starting its own.
|
|
// The shelf's leave handler only fires on the way OUT of the
|
|
// menu, so sliding from Even Out Levels straight to here left a
|
|
// measurement in flight — and it landed on top of this one, a
|
|
// levelled version of the chain as it was, written through a
|
|
// channel the document never sees.
|
|
onMouseEnter={() => {
|
|
onAuditionLevel?.(false);
|
|
audition((base) => withEffect(base, d.id));
|
|
}}
|
|
onFocus={() => audition((base) => withEffect(base, d.id))}
|
|
>
|
|
{EFFECT_COPY[d.id]?.title ?? d.label}
|
|
</button>
|
|
))}
|
|
</div>
|
|
))}
|
|
</div>
|
|
) : null}
|
|
|
|
{picking ? (
|
|
<FxPresetMenu
|
|
onPick={applyPreset}
|
|
onAudition={
|
|
onChainPreview
|
|
? (id) => {
|
|
const preset = id ? getAudioFxPreset(id) : null;
|
|
audition(preset ? (base) => applyAudioFxPreset(base, preset) : null);
|
|
}
|
|
: undefined
|
|
}
|
|
/>
|
|
) : null}
|
|
|
|
{adding || picking ? null : (
|
|
<div className="flex gap-1">
|
|
<button
|
|
type="button"
|
|
className="hf-fx-preset w-full rounded-[4px] border border-dashed border-panel-border-input py-1 text-[11px] text-panel-text-4 hover:text-panel-text-0 disabled:opacity-40"
|
|
disabled={disabled}
|
|
onClick={() => setPicking(true)}
|
|
>
|
|
Presets
|
|
</button>
|
|
<button
|
|
type="button"
|
|
className="hf-fx-add w-full rounded-[4px] border border-dashed border-panel-border-input py-1 text-[11px] text-panel-text-4 hover:text-panel-text-0 disabled:opacity-40"
|
|
disabled={disabled}
|
|
onClick={() => setAdding(true)}
|
|
>
|
|
Add effect
|
|
</button>
|
|
</div>
|
|
)}
|
|
</div>
|
|
);
|
|
}
|