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miga-heygenandMiguel Ángel
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The motion-blur snippet integrated translation only. Its output stage was one SVG filter per target whose copies were feOffset, and feOffset only translates, so a beat that only scaled or only turned sampled a displacement of zero and rendered sharp. No SVG filter primitive can give a copy its own affine transform, so the sampling loop was never the problem: the output stage was. Copies are now DOM clones of the element in an isolation:isolate group, each at 1/N opacity with mix-blend-mode plus-lighter, each carrying the element's resolved transform at its sample time. plus-lighter adds premultiplied colour, so N + 1 copies at 1/N sum to the average the shutter integral asks for; the isolation is load-bearing rather than tidy, because without a transparent backdrop of its own the first copy adds onto the page and blows a light background out to white. Reading the resolved matrix instead of a list of named GSAP properties is what makes every driver work at once: translation, scale, rotation, 3D rotation and skew arrive in the same one value. Measured against the After Effects export the shutter model was fitted to, per beat, previous stage to this one: scale +0.62 dB, rotate X +0.43, rotate Y +0.84, rotate Z +1.15, translate X -0.18, translate Y -0.04. The two small translate regressions are inherent and not tunable: the filter offset one rasterisation so every copy was pixel-identical, where each copy is now rasterised independently at its own fractional transform with its own subpixel antialiasing. Three consequences of the new stage, each carrying its own fix: - mix-blend-mode flattens preserve-3d, so a copy cannot inherit the parent's 3D context. Each copy carries the parent's perspective as its own first transform function instead. - A copy is styled by nothing that selected the original, since dropping the id also drops every #id rule that gave it size, colour and font. Each copy carries its own resolved style inline, read once and replayed. Those values are px, so a container-relative element needs them again when its box changes: a ResizeObserver re-snapshots rather than paying a subtree walk every frame. - A beat that moved and faded at once kept a full-strength smear behind a vanishing element. The element's opacity now rides the group; the 1/N weight stays on the copies. The axis option is gone. It selected which of x and y to sample, a question the resolved matrix does not have. shutter-slam is the new component: one word through six single-property beats, two translate slams, a scale punch, then a full turn about each axis, which exercises every driver the model covers in one mount. Easing is power2.inOut because it measured best, not because it was the default. A bezier fitted to the reference's own bbox centres looks like the better curve and renders worse: a blurred bbox centre is the shutter window's average rather than the instant, so on an accelerating segment the fit measures its own blur. Co-authored-by: Miguel Ángel <miguel.sierra@heygen.com>
