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Both pages ended in a row of equal cards, which is a fresh decision at exactly the moment the reader should be moving, and each card only named its destination. They now lead with one dominant next step that shows what is on the other side — a live scene preview for the workflow chooser, the real Renders panel for export — followed by the genuinely relevant alternatives as a quiet sentence of links, ranked by how likely they are to matter. The point is hierarchy rather than scarcity: several onward paths are fine, but they should not all shout at the same volume, and a link that shows the thing earns the click that a link naming the thing does not.