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An expanded row is mostly automation lanes, but only the clip whose property lanes were showing got its bar capped to a track height. Its siblings were left to fill the whole row — so on a track four narration slices share, three of them painted their waveforms straight down over the envelopes below, and the lanes were readable only under whichever clip happened to be selected. The bar's height belongs to the row's disclosure, not to which clip owns the property lanes. The collapsed case is unchanged: with no lanes under it, a bar filling the row is exactly right.