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Vance Ingalls
b75c5f56f4
The offline render ended at the last input sample, so a reverb or a delay was still ringing when the context stopped. Measured on a 1.5 s tone through a default reverb, the render cut at 1.524 s while the tail was still at -29.7 dB — an audible chop, and the one place the render did not match preview. The length does not have to be guessed. Every tail here follows from its own settings: a convolution is exactly as long as its impulse, and `synthesizeReverbImpulse` derives that from room size; a delay's repeats fall by `feedback` every `time`, so the count down to -60 dB is a log. Everything else settles with its input — an all-pass chain has group delay, not a tail, and a 9-second compressor release has no signal to release once the clip stops. `chainTailSeconds` sums them (the chain is serial, so a delay in front of a reverb hands each repeat to the room), reads a lane's maximum rather than the static knob where one is automated, and caps at 5 s — 5 s between repeats at 0.95 feedback is eleven minutes of decay, and the panel can dial exactly that. The mixer's per-track atrim now allows the clip plus its tail; the atrim after apad still holds every track to the composition's length, so a tail can run over what follows but never extends the video. Same fixture after: a smooth decay to -72 dB, last non-zero sample at 3.306 s against the 3.4 s the settings predict.