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Vance IngallsandClaude Opus 5
804bc1e888
Shape One Range has three controls (where, how much, how wide) and the copy nominated "how much" as the one that matters. That is incoherent: boosting an unspecified frequency means nothing. The range is the FIRST decision, not the second, and the rule broke on this module without my noticing. Two ways out, both drawn. A keeps the module generic and makes "where" a word from the shared vocabulary instead of a frequency field — honest, but still two decisions with the first one jargon in a friendly coat. B makes the range the module: the add menu offers jobs — Reduce Mud, Add Clarity, Tame Harshness — each a peaking node with its frequency already chosen, so one knob is honest rather than a simplification hiding the real choice. B is the answer, and it is the same insight as the multi-band EQ: an author does not want a parametric equaliser, they want to fix a thing. It also dissolves the duplicate-name problem at the root instead of papering it with a role label — Clean Voice now reads Remove Rumble, Reduce Mud, Even Out Loudness, Add Clarity, Peak Ceiling, and nothing repeats. Option A is not wasted: its band picker is the right control for moving the frequency under Details. This changes the catalogue rather than only the copy — presets should reference named jobs, and EFFECT_COPY.peaking stops being a single entry. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>