docs: move 19 anchor links onto the headings that now exist

The capstone and determinism rewrites renamed headings that other pages point at.
Eighteen prompting pages linked to capstone#the-full-prompt-verbatim, which is now
'The prompt, word for word', and the rewritten determinism page invented an anchor
on frame-adapters that was never there.

Moved the links rather than restoring the old headings — 'the full prompt,
verbatim' is exactly the register the rewrite was cleaning up.

Broken anchors site-wide: 0. mint broken-links does not check anchors, so none of
this would have failed CI.

docs/concepts/determinism.mdx

@@ -56,7 +56,7 @@ So the rules are short:
 
 Every [frame adapter](/concepts/frame-adapters) follows these same rules. If you
 write your own, it must follow the
-[determinism contract](/concepts/frame-adapters#determinism-contract):
+[determinism contract](/concepts/frame-adapters#contract):
 `seekFrame(frame)` gives the same result for the same frame, seeks work in any
 order, nothing resolves after the frame is committed, and the lifecycle stays
 `init` → `seekFrame` (many times) → `destroy`.

docs/prompting/anatomy.mdx

@@ -103,7 +103,7 @@ You rarely write these by hand, but naming them in a prompt is legitimate and so
 **Capstone thread** — the [Level 7 film](/prompting/capstone) makes this table its scenery. In the Mount region the timeline wire splits into three track lanes and clip chips seat onto them, tagging themselves with the very attributes above — the framework's own vocabulary, staged as a set. And the whole prompt is this chapter's skeleton at maximum scale: route, spec, beats (its nine regions), copy quoted exactly, technique pinned per region, and a hard negative list.
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **Mount (7–14s).** Traveling along the wire: it splits into three parallel track lanes; clip chips slide in along the direction of travel and seat onto the lanes on their spoken cues (audio track chip, video track chip, our protagonist chip among them). Small mono labels (`data-start`, `data-track-index`) tag themselves onto chips as the camera passes. The lanes merge back to one wire as the camera accelerates out.
 

docs/prompting/captions-catalog.mdx

@@ -111,7 +111,7 @@ Three [Text Effects](/catalog/components/morph-text) components do one focused j
 **Capstone thread** — in the [Level 7 film](/prompting/capstone)'s Material region, word-synced keywords from the clip's own transcription slam in as display type behind the matted-out speaker — captions as scenography, on real word timings (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > THEN they speak, and the main **keywords of their own line — derived from the clip's transcription — land word-synced as huge display text BEHIND the cutout**, each keyword slamming in on its spoken moment with the subject's silhouette occluding it (the two-layer text-behind-subject plate); style the keyword type by adapting a bold **catalog caption component** (`caption-kinetic-slam` or similar) at display scale.
 

docs/prompting/code-blocks.mdx

@@ -169,7 +169,7 @@ When the code you're animating comes from a real PR, don't hand-write the beats
 **Capstone thread** — the [Level 7 film](/prompting/capstone) opens with this chapter's technique: real HyperFrames markup typed character by character, and the typed line's baseline literally grows into the timeline wire the rest of the film travels (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **Type (0–7s).** Black-on-charcoal close-up: a cursor types real HyperFrames markup character by character — `<div class="clip" data-start="0" data-duration="4">` and a `gsap.timeline({ paused: true })` line. As the typed line completes, the text's baseline extends and becomes **the wire** — the underline literally grows into the timeline and the camera begins its dolly along it. The typed div folds into a compact clip chip (persistent element 3) that drops onto the wire. Kinetic display type states "WRITE HTML." as the travel begins.
 

docs/prompting/data-and-maps.mdx

@@ -129,7 +129,7 @@ For a point-to-point journey — a route drawing across a map with a landing bea
 **Capstone thread** — the [Level 7 film](/prompting/capstone)'s Measure and Everywhere regions are this chapter end to end: `data-chart` bars rise from the timeline wire while the hero count lands, then the same wire becomes a great-circle arc over the `world-map` block's real cloud render regions (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **Measure (14–21s).** The wire becomes a chart baseline (same line, same thickness — no cut): adapt the **`data-chart` registry block** — six labeled bars rise from the wire itself on spoken cues while a hero numeral counts up beside them in huge tabular mono: **50+ CATALOG BLOCKS** (the real registry count) […]
 >

docs/prompting/design-systems.mdx

@@ -95,7 +95,7 @@ The engine rationale: a workflow's preset is a coherent, tested system — color
 **Capstone thread** — the entire [Level 7 film](/prompting/capstone) obeys a supplied `frame.md` — the real HyperFrames brand. The closing lockup is where the system shows most: ABC Solar Display for the display type and the mint→cyan CTA gradient in its single sanctioned appearance (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **Design system: the provided `frame.md` is the single source of brand truth — read it first and obey it exactly.** It is the real HyperFrames brand (by HeyGen), dark-first: flat near-black ground […] **mint `#3CE6AC` used sparingly as the single accent — mint means go / primary / active**. The mint→cyan gradient (`#3CE6AC → #00E3FF`) appears in exactly one place in the whole film: the final CTA lockup.
 

docs/prompting/generated-artwork.mdx

@@ -39,7 +39,7 @@ The same brief — four people arm in arm, warm gradient sweaters, flat-illustra
 **Capstone thread** — the [Level 7 film](/prompting/capstone)'s Surface region rides on generated artwork: a palette-neutral mural duotoned live by CSS from the composition's two variables, so even the raster re-skins on a `--variables` render (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > […] over a **generated-artwork backdrop** — a flat abstract mural evoking motion trails, generated **palette-neutral (grayscale) and duotoned live by CSS** from the two variables so it re-skins with everything else. **The mural is a full-frame, screen-fixed backdrop: it never moves on screen — the widening iris circle alone reveals it already in place at full frame […] and it exits by fading out.**
 

docs/prompting/iterating.mdx

@@ -49,7 +49,7 @@ And freeze what already works: "the framing and motion are right — don't touch
 **Capstone thread** — several clauses in the [Level 7 film](/prompting/capstone)'s prompt exist only because frame review caught the builder drifting — the chip's hard bind to the wire, the pinned mural, the Depth region's occlusion contract. Each catch was folded back into the prompt so the next run can't regress: this chapter's loop, applied to the prompt itself.
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **The chip sits ON the wire at every moment: bind its position to the wire's actual path geometry (sample the drawn path, seek-safe), never keyframe it independently — through every bend, arc, waveform, and dive, the chip visibly hugs the line. A chip floating off-path breaks the story.**
 

docs/prompting/media-and-audio.mdx

@@ -138,7 +138,7 @@ This mirrors the negatives discipline in [Anatomy](/prompting/anatomy): close th
 **Capstone thread** — the [Level 7 film](/prompting/capstone)'s Material region runs this chapter's entire pipeline on one clip: generated footage → HEVC auto-proxy → background removal mid-scene → word-synced captions from the clip's own transcription, with the clip's audio ducking the BGM (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > […] a real talking-head clip (generate a short clip of a person speaking one neutral line via the media pipeline's avatar video generation […] **transcode it to HEVC `hvc1`** so the automatic proxy subsystem carries preview) sits as a clip on the wire. The order of operations IS the story: as the camera arrives and BEFORE the person speaks, the framework mattes the footage — **the background peels away via background removal** […] THEN they speak, and the main **keywords of their own line — derived from the clip's transcription — land word-synced** […] The clip's own audio ducks the BGM briefly; the VO resumes as the camera pulls away.
 

docs/prompting/motion.mdx

@@ -248,7 +248,7 @@ Two details keep a dwell consistent with the rules above. During a dwell the **c
 **Capstone thread** — this is the method the [Level 7 film](/prompting/capstone) uses, and the reason it reads as a film instead of nine demos in a row.
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys both properties — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys both properties — prompt language you can lift for your own video:
 
 > ONE continuous camera journey with a dwell-and-sweep rhythm. The whole film is a single wide world (one large scene space) that the camera dollies across […] in one unbroken move with NO hard cuts anywhere except inside the two sanctioned seam moments named below. The rhythm: the camera SWEEPS between regions, then eases to a genuine REST at each region's hero moment — a full stop of roughly 1.5–2.5 seconds while the main point lands […] then accelerates away. The dwell is what gives the sweep meaning: without the rest, emphasis dies mid-motion. During a dwell the WORLD keeps resolving (counters tick, labels stamp, secondary motion continues) — the camera rests, the film never freezes.
 

docs/prompting/music-and-slideshows.mdx

@@ -90,7 +90,7 @@ What you can already steer from the prompt, before you've learned any technique.
 **Capstone thread** — the [Level 7 film](/prompting/capstone)'s Rhythm region cuts media cards onto a real analyzed beat grid from `hyperframes beats` — the film's only sanctioned hard cuts, every one on a detected beat while the camera keeps traveling (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **Rhythm (45–52s).** The wire becomes a waveform: **resolve the BGM first, run `hyperframes beats` on it, and drive this region on the detected grid** — the waveform pulses and compact media cards (a lyric line, a photo card, a chart flash) snap onto the wire on real analyzed beats while the camera keeps traveling; each snap gets a tick SFX. At least six beat-hits. SANCTIONED SEAM #2: the beat-hits may hard-cut card content ON the beat — the sanctioned exception, because the camera itself never stops moving through them.
 

docs/prompting/overlays-and-lower-thirds.mdx

@@ -123,7 +123,7 @@ Quote the exact copy — unquoted names and titles get paraphrased (see [anatomy
 **Capstone thread** — the [Level 7 film](/prompting/capstone)'s Material region docks a designed lower-third chip that renders *behind* the matted-out subject (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > […] as the camera arrives and BEFORE the person speaks, the framework mattes the footage — **the background peels away via background removal**, sliding off along the travel direction and leaving the cutout standing alone on the brand ground. […] A designed lower-third chip renders behind the subject.
 

docs/prompting/rendering-and-output.mdx

@@ -127,7 +127,7 @@ The cheapest way to avoid a wasted `high`/4K/HDR render is to judge the frame fi
 **Capstone thread** — the [Level 7 film](/prompting/capstone) ends on this chapter's core promise: the protagonist chip snaps into a render slot and seeded confetti holds every piece for exactly two frames — deterministic, identical on every render (cut from the film, below). Its Everywhere region names the real cloud render targets: Lambda and Cloud Run.
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > A **seeded confetti burst** fires — mulberry32, **seed 42, each piece holding position for exactly two frames before stepping** (stop-motion feel) — and the VO lands the honest punchline: identical on every render, because determinism is the whole point.
 

docs/prompting/runtimes-and-3d.mdx

@@ -100,7 +100,7 @@ The rule of thumb: anything the video needs to *know* must be present before ren
 **Capstone thread** — the [Level 7 film](/prompting/capstone)'s Depth region is real Three.js through the frame adapter: the timeline wire coils around a rim-lit faceted form, and the protagonist chip threads the coil's loops and passes behind the form with true depth occlusion (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **Depth (52–56s).** The wire spirals off the flat plane into real 3D — a **Three.js scene via the frame adapter** (never CSS fake-3D): the camera descends following the wire as it coils around a rim-lit faceted form (ink material on charcoal), mono axis readouts landing on cue, then rises back to the plane with the wire leading the way out. The coil winds up out of the wire and collapses back onto it — its ends never float cut off in mid-air — and the protagonist chip joins the 3D scene for the crossing: it rides the wire straight through the coil's loops and passes behind the form with true depth occlusion, never floating over the geometry as a flat overlay.
 

docs/prompting/storyboards.mdx

@@ -115,7 +115,7 @@ Without stating the return explicitly, a rebuild is free to treat the early moti
 **Capstone thread** — the [Level 7 film](/prompting/capstone) stretches this chapter's callback device across its whole runtime: the `<div class="clip">` chip typed in the opening rides the wire through every region and finally snaps into the render slot as the payoff (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **The clip card** — the `<div class="clip">` typed in the opening travels the whole journey: it slides onto the wire as a clip chip after being typed, rides ahead of the camera between regions (handing itself off — visible leaving one region and arriving in the next), and is the thing that finally renders at the end. It is the protagonist.
 

docs/prompting/transitions.mdx

@@ -100,7 +100,7 @@ Name the block and the seam — transitions are the one place where per-seam con
 **Capstone thread** — the [Level 7 film](/prompting/capstone) allows itself exactly one shader seam: the camera pushes through an `sdf-iris` lens into the Surface region (cut from the film, below) with the timeline wire visible through the iris the whole way — a lens the journey passes through, not a cut.
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > SANCTIONED SEAM #1: the camera pushes through an **`sdf-iris` shader transition** — the iris opens ONTO the continuation of the same wire (the wire is visible through the iris throughout; this is a lens the journey passes through, not a cut).
 

docs/prompting/variables-and-templating.mdx

@@ -119,7 +119,7 @@ If total length must differ per output, that's a different root `data-duration`
 **Capstone thread** — the [Level 7 film](/prompting/capstone) is a working template: one single-file composition, one variable scope, and its second render — navy ground, acid-green ink, every region re-skinned including the generated mural — is nothing but one `--variables` flag. Both full renders are embedded on the capstone page.
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > **Variables:** expose `ground` (default `#0a0a0a`) and `ink` (default `#3CE6AC`) as composition variables on the single root file, bound via CSS custom properties everywhere (including the duotoned mural), so one `--variables` call re-skins the entire journey. It will be rendered twice: the default brand palette, and a second full render with `{"ground":"#0d1420","ink":"#c8ff3d"}`.
 >

docs/prompting/vfx-and-liquid-glass.mdx

@@ -139,7 +139,7 @@ The Effects components above have none of this — they're plain CSS and animate
 **Capstone thread** — the [Level 7 film](/prompting/capstone)'s Surface region floats its inspector panels on the brand's glass tokens — translucent white over real backdrop blur, the mural visibly smearing through each panel (cut from the film, below).
 </Note>
 
-This is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys the piece — prompt language you can lift for your own video:
+This is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys the piece — prompt language you can lift for your own video:
 
 > Inside: frosted-glass inspector panels (real translucency — blur over what's behind; the product's Studio design language) hover above the wire carrying live values (`ease: power3.out`, a color token, an fps readout) […] Glass surfaces use the file's `--glass-*` tokens with real backdrop blur.
 

docs/prompting/visual-specs.mdx

@@ -27,7 +27,7 @@ Every element is a primitive the agent can build directly. Two honest limits:
 
 ## The density contract
 
-A spec tells the builder what each element *is*; a density contract tells it how full every frame must be. The [Level 7 film](/prompting/capstone) states it once and every region obeys — this is the clause in the [full capstone prompt](/prompting/capstone#the-full-prompt-verbatim) that buys it:
+A spec tells the builder what each element *is*; a density contract tells it how full every frame must be. The [Level 7 film](/prompting/capstone) states it once and every region obeys — this is the clause in the [full capstone prompt](/prompting/capstone#the-prompt-word-for-word) that buys it:
 
 > Density: every region fills three roles — one focal element at display scale, at least two supporting elements on their own cues, and the chrome/wire. Asymmetric compositions; display type ~a tenth of frame width; three depth layers with parallax between them […]