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docs: put the ten workflows in one place, and connect the two tracks

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There are ten creation workflows. The Workflows nav group held eight of them plus
`guides/export-and-share`, which is not a workflow at all — there is no such
skill, it is a finishing task. The tenth, the Remotion port, sat under
Developers > Composition, design & animation, a different tab entirely.

So: export-and-share moved to Build the project where the other task pages live,
the Remotion page moved into Workflows, and the chooser gained a tenth route. The
chooser rendered `<video>` unconditionally, which would have drawn a black
rectangle for a route with no clip — it now renders a neutral tile instead, and
custom.css styles it to the same box.

**The Prompt Guide and the workflow guides did not know about each other.** Level 1
is organised one page per workflow, and five of its six pages linked to no guide
at all. A reader learning to prompt for motion graphics never discovered
/guides/motion-graphics, and the traffic went nowhere in both directions. Each
Level 1 page now names its workflow and says what that page adds.

Four links pointed at redirects rather than the real page — /guides/claude-design,
/guides/common-mistakes, /guides/website-to-video, /guides/media-overlays. Seven
files now link to the destination directly.

Checked after: 0 broken links, 0 links via redirect.
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@@ -99,4 +99,6 @@ What you can already steer from the prompt, before you've learned any technique.
For the beat-timestamped skeleton these prompts share, see [Prompt anatomy](/prompting/anatomy); for adjectives that map to motion and emphasis settings, [Vocabulary](/prompting/vocabulary). To build a video from scratch instead of dressing existing footage, start at the router in `/hyperframes`.
</Tip>
The workflow this level rides is documented at [Captions and talking head](/guides/captions-and-recuts) — what it takes as input, what it asks you before it builds, and what it returns.
*Next: [Music videos and slideshows](/prompting/music-and-slideshows) — swap footage for a soundtrack, or slides, and let the beat or the deck set the pace.*