The capstone and determinism rewrites renamed headings that other pages point at.
Eighteen prompting pages linked to capstone#the-full-prompt-verbatim, which is now
'The prompt, word for word', and the rewritten determinism page invented an anchor
on frame-adapters that was never there.
Moved the links rather than restoring the old headings — 'the full prompt,
verbatim' is exactly the register the rewrite was cleaning up.
Broken anchors site-wide: 0. mint broken-links does not check anchors, so none of
this would have failed CI.
**Prompting.** These were the only two pages that stayed hard to read once the
sentence counter was corrected for bullet lists. Capstone went from 46% of
sentences over 28 words to 20%, and 53 semicolons to 42. Motion went from 37% to
15%, 26 semicolons to 4, and lost six table rows that were prose in a grid. Both
keep every technique and every worked example — the length barely moved, the
sentences did.
**Concepts.** Compositions and Determinism explain how the whole thing works and
showed the reader nothing. Each has one mermaid diagram now: how an HTML file
with data-* timing becomes a numbered sequence of frames, and why frame 90 always
comes out the same — what is locked before frame 0, and the three things that
break it.
Mermaid renders natively in Mintlify, so these cost no asset, no CDN upload and no
regeneration. Verified in the browser rather than assumed; the pattern is the one
proven on concepts/frame-adapters.
The old demo argued that a locked frame crops the story. The sharper claim is
what a cut throws away: a move carries the spatial relationship between two
shots, a cross-fade carries none.
Five stages each get their own colour and the halves diverge on how the next
colour arrives -- in place, or by travelling to it. 30-47% of pixels differ,
against 3% for every version where the WITHOUT half moved the content.
That 3% is the trap now documented in the rule: translating the scene and
translating the camera are the same transform, so sliding content past a fixed
frame is not a static comparison, it is the same shot rendered twice.
Embed is cache-busted to -v2; docs images carry immutable year-long cache, so
reusing the filename would serve returning visitors the old render.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Live telemetry panel, an isometric deploy pipeline wider than the frame, and
a progressive edge rollout across twelve regions. In each, the rule follows
from the content rather than being applied to it.
Rule 2's demo carries the strongest evidence in the chapter: deleting the
three stages the locked frame never shows and re-rendering leaves that half
identical on all 180 frames.
Rule 3 gains a rule-level distinction the rebuild surfaced — stagger what is
happening, not what is merely present.
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Replaces the generic card/chip/disc subjects with ones where the rule is
unavoidable given the content: a payment sheet over a receipt, a split-flap
departure board, and a render-farm corridor.
Rules 5 and 6 in the grammar list were one-liners that under-said what their
demos prove. Rule 5 now carries the mass claim, the follow-through lag, and
the transforms-only caveat (a counter that overshoots renders a false value).
Rule 6 credits occlusion over blur and prefers one foreground element.
Section intro no longer endorses over-cranking; every movement in an applied
half has to finish "this moves because...".
Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>
Learned from a strong example prompt (not reused verbatim — different
subject, same technique): a stop-motion/hand-animated look wants
irregular timing, but true unseeded randomness breaks HyperFrames'
determinism guarantee (same seek must always render the same frame).
The correct pattern is a PRNG seeded once at composition start, stepping
elements between held positions rather than tweening continuously —
distinct from rule 1's continuous ambient idle, which is a different
tool for a different texture.
Kept separate from "The grammar, measured" (rules 1-6, empirically
videoed) since there's no rendered proof for rule 7 yet — the new
section and example are illustrative, not claimed as verified.
Co-Authored-By: Claude Opus <noreply@anthropic.com>
Validates 16 more published prompts end-to-end (variants across every
video type, caption styles, overlays with proven alpha, code diff and
highlight, edit verbs against the real attribute map, a generated-avatar
talking-head through embedded-captions, a presented slideshow deck) and
fixes every prompt flaw the builds surfaced. Adds keyword-to-render
grids for the easing, camera, and marker vocabulary; two more worked
visual specs with renders; a measured before/after pair proving the
motion grammar (frozen frames vs all-alive, 211KB vs 2.5MB); before/
after render pairs on editing and generated-artwork pages; and proof
renders on the overview.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Five-way review of the section against docs.json, catalog pages, and
skills. Fixes: stale /hyperframes-media skill row (real name /media-use)
plus missing music-to-video and slideshow workflow rows; caption
identity misattributions (keynote/documentary are scene-embedded, stomp
carries no rail); prompts violating the guide's own ambient-idle rule;
grounded keying rationale (u2net_human_seg); broken forward references;
nested-backtick code spans; brand casing and frontmatter dash
consistency throughout.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Splits guides/prompting into a Prompt Guide nav group (overview + Fundamentals
+ Making it look good, 11 pages) with a redirect from the old URL. Applies
research-validated upgrades: beat content formula, before/after prompt rewrites
with engine rationale, single-variable iteration moves, absolute-target
calibration, camera/depth/pacing vocabulary, prerequisites gate.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
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