Files
hyperframes/packages/producer
Vance Ingalls acc83bd4bb perf(producer): pipeline capture and shader-blend per-frame (hf#732 PR 5/5) (#760)
## Summary

PR 5 of 5 in the hf#732 decomposition stack. Adds a per-worker K-deep ring of transition buffer-triples to the hybrid layered path. Capture-N+1 on the DOM worker now runs concurrently with the shader-blend pool's work on frames N-K+1..N instead of being serialized behind each blend.

### Mechanism

- Each worker carries a ring of K buffer triples (`bufferA` / `bufferB` / `output`), default K=4.
- The DOM worker round-robins through slots; on ring wrap, it awaits any still-in-flight blend on that slot before reusing its buffers.
- The shader-blend dispatch is no longer awaited inline. It returns the pool's promise (or the inline-fallback promise), which is stored in `ringInFlight[slot]`. The blend, buffer-reattach, and ordered encoder write all run inside that promise.
- The encoder reorder buffer (from PR 4) fences final output order — out-of-order blend completion is fine.

### Why K=4

The optimal K is `blend_per_frame / capture_per_frame`. For 854×480 rgb48le with complex shaders this is ~910ms / ~175ms ≈ 5. K=4 balances perf vs. memory:

| K | Pool concurrency | Wall (hf#677 fixture) |
|---|---|---|
| 1 (PR 4) | ≤1 task/worker | ~135s |
| 2 | 2–4 tasks | ~135s |
| 4 | saturated | ~100s — **chosen** |
| 10 | saturated + idle slots | ~100s |

Memory: 6 workers × 4 slots × 3 buffers × 854×480×6 bytes ≈ 180MB peak.

Override at runtime via `HF_TRANSITION_RING_DEPTH`.

### Failure modes

- Pool spawn failed in PR 3 → inline blend fallback still works (each slot just resolves quickly).
- Slot rejection caught onto a separate handle so unhandled-rejection can't fire; the error surfaces on next slot-await OR on end-of-task drain.
- End-of-task drain awaits every remaining in-flight slot — worker success guarantees all blends hit the encoder.

## Stack

Top of the hf#732 decomposition stack. Stacked on top of #759 (PR 4: hybrid path).

## Test plan

- [x] Producer typecheck clean
- [x] oxlint clean
- [x] oxfmt clean

### Empirical validation

Mark Witt fixture (Mac, Apple Silicon, hardware GPU, no beginframe):
- Published CLI (pre-stack): 2m 12.2s
- Cascade CLI (full hf#732 stack): 1m 07.7s
- **Measured speedup: ~2× on Mac (1.95× exact).** (Earlier "2.22×" wording was a per-component projection; the empirical end-to-end number is 1.95× on the validated fixture.)

Linux CI confirmation pending — top-of-stack regression run will surface the Linux number.

— Vai
2026-05-13 21:06:54 -07:00
..
2026-05-13 17:01:15 -07:00

@hyperframes/producer

Full HTML-to-video rendering pipeline: capture frames with Chrome's BeginFrame API, encode with FFmpeg, mix audio — all in one call.

Install

npm install @hyperframes/producer

Requirements: Node.js >= 22, Chrome/Chromium (auto-downloaded), FFmpeg

Usage

Render a video

import { createRenderJob, executeRenderJob } from "@hyperframes/producer";

const job = createRenderJob({
  inputPath: "./my-composition.html",
  outputPath: "./output.mp4",
  width: 1920,
  height: 1080,
  fps: 30,
});

const result = await executeRenderJob(job, (progress) => {
  console.log(`${Math.round(progress.percent * 100)}%`);
});

console.log(result.outputPath); // ./output.mp4

Run as an HTTP server

The producer can also run as a render server, accepting render requests over HTTP:

import { startServer } from "@hyperframes/producer";

await startServer({ port: 8080 });
// POST /render with a RenderConfig body

Configuration

RenderConfig controls the render pipeline:

Option Default Description
inputPath Path to the HTML composition
outputPath Output video file path (or directory, for format: "png-sequence")
width 1920 Frame width in pixels
height 1080 Frame height in pixels
fps 30 Frames per second (24, 30, or 60)
quality "standard" Encoder preset ("draft", "standard", "high")
format "mp4" Output container — "mp4", "webm", "mov", or "png-sequence". See Transparent Video Output below.

Transparent Video Output

The producer can render HTML compositions to formats that carry a true alpha channel — not chroma key. The same composition that renders an opaque MP4 renders a layerable overlay when you set format.

format Codec / pixel format Alpha Audio Use case
"mp4" (default) H.264 (yuv420p) or H.265 + HDR10 No AAC Streaming, social, default deliverable
"webm" VP9 + yuva420p True alpha Opus Web playback as overlay (<video> over background); supported in Chrome, Edge, Firefox
"mov" ProRes 4444 + yuva444p10le True alpha + 10-bit AAC Editor ingest (Premiere, Final Cut Pro, DaVinci Resolve)
"png-sequence" Numbered RGBA PNGs in a directory Lossless alpha Sidecar audio.aac After Effects / Nuke / Fusion, or pipelines that post-process frames before encoding

Example

import { createRenderJob, executeRenderJob } from "@hyperframes/producer";

const job = createRenderJob({
  inputPath: "./my-composition.html",
  outputPath: "./output.webm", // or a directory for "png-sequence"
  width: 1080,
  height: 1920,
  fps: 30,
  format: "webm", // "mp4" | "webm" | "mov" | "png-sequence"
});

await executeRenderJob(job);

What "transparent background" means here

The producer captures Chrome screenshots with the page background forced transparent (html, body, [data-composition-id] { background: transparent !important }) and the CDP default background override set to RGBA 0,0,0,0. The captured PNGs carry a real alpha channel and that channel is preserved end-to-end:

  • VP9 (webm) is encoded with -pix_fmt yuva420p, -auto-alt-ref 0, and alpha_mode=1 metadata.
  • ProRes 4444 (mov) is encoded with -pix_fmt yuva444p10le.
  • PNG sequences are written without re-encoding (zero-padded frame_NNNNNN.png).

This is not chroma keying. There is no green/blue background to remove and no "key" tolerance to tune — pixels that were transparent in the browser are transparent in the output.

Caveats

  • Linux + alpha forces screenshot capture. Chrome's BeginFrame compositor (the default deterministic capture path on Linux headless-shell) does not preserve alpha; the orchestrator falls back to Page.captureScreenshot, which is slower per frame. macOS and Windows already use screenshot mode by default, so they are unaffected.
  • HDR + alpha is not supported. Setting hdr: true together with an alpha-capable format logs a warning and falls back to SDR. Use format: "mp4" for HDR10 output.
  • png-sequence does not produce a single muxed file. When the composition contains audio elements, an audio.aac sidecar is written alongside the PNGs in outputPath.
  • Safari + WebM alpha is incomplete. For broad browser playback of an alpha video, ship format: "mov" to your editor and re-encode for the codec your distribution target supports.

Authoring transparent compositions

Don't paint a fullscreen background in your HTML. The default body background is overridden to transparent automatically — any body { background: ... }, #root { background: ... }, or [data-composition-id] { background: ... } rule is force-overridden during alpha rendering. Backgrounds on inner elements (cards, scenes, components) are kept.

How it works

  1. Serve — spins up a local file server for the HTML composition
  2. Capture — opens the page in headless Chrome, seeks frame-by-frame via HeadlessExperimental.beginFrame (or Page.captureScreenshot for transparent / non-Linux renders), captures screenshots
  3. Encode — pipes frames through FFmpeg (with GPU encoder detection and chunked concat). Skipped for format: "png-sequence".
  4. Mix — extracts <audio> elements and mixes them into the final video. For png-sequence, audio is written as an audio.aac sidecar.
  5. Finalize — applies faststart for streaming-friendly MP4 (no-op for WebM, MOV, and png-sequence)

Documentation

Full documentation: hyperframes.heygen.com/packages/producer